Posts tagged with: Spindle Cove

Wordsmith Wednesday: Strong Opening Paragraphs

Welcome to Wordsmith Wednesday: Opening Paragraphs! I’m your host, Tamara Hogan.

In this monthly feature, we’ll analyze strong opening paragraphs by looking at examples from both published books and unpublished manuscripts.

The unpublished manuscripts part is where you come in. 🙂 More on this in a second. 

Whether we’re talking about the opening paragraphs of a book, of a chapter, or of a scene, the author’s job is the same: ORIENT THE READER, QUICKLY.  To me, this means being able to answer the following four questions in fairly short order:

  • Who’s the point of view character?
  • Where are they? (Setting/world)
  • When are they? (Time/era-wise)
  • Who else is there? (if anyone)

Don’t make me wait too long! A couple-hundred words, max.  Bonus points if the opening paragraphs also convey information about characterization, genre, and the conflict to come. 

Here’s a great example – the opening paragraphs of Tessa Dare’s 2013 Spindle Cove novella, The Beauty and the Blacksmith:

Goodness. Just look at it. Thick as my ankle.

Diana Highwood took her glove and worked it like a fan, chasing the flush from her throat. She was a gentlewoman, born and raised in genteel comfort, if not opulent luxury. From an early age, she’d been marked as the hope of the family. Destined, her mother vowed, to catch a nobleman’s eye.

But here, in the smithy with Aaron Dawes, all her delicate breeding disintegrated. How could she help staring? The man had wrists as thick as her ankle.

 In three paragraphs – after a mere eighty-nine words! – the reader knows: 

  • Who’s the point of view character? DIANA HIGHWOOD
  • Where are they? (Setting/world) A SMITHY
  • When are they? (Time/era-wise) Not specifically noted, but Historical Romance cues abound: waving a glove, smithy, gentlewoman, nobleman
  • Who else is there? AARON DAWES

Other information conveyed in those eighty-nine carefully selected words: Diana, a gentlewoman, is hot for the blacksmith, which is a BIG no-no in terms of the era and socioeconomic class. There’s maternal pressure for her to marry well, to put the family on a firm financial footing. There’s also some naughtiness, and dawning sexual curiosity, revealed via Diana’s thoughts about, erm, size. 

Eighty-nine words, y’all. I BOW DOWN.


As part of the Ruby Reboot, we’re going to analyze opening paragraphs the fourth Wednesday of every month. While we’ll continue to use published examples as learning tools, we’d love to give YOU the opportunity to submit your opening paragraphs for kudos and feedback, anonymously or not. 

If you’d like to participate in an upcoming Opening Paragraphs blog post, please email your opening paragraphs to me at (200 word maximum, and let me know if you’d like to remain anonymous.)  We’ll try to publish several Opening Paragraphs per month, and the Rubies and our readers will provide feedback in Comments!    


Do you have any thoughts about Dare’s opening paragraphs, or about my approach to analyzing them? Is my 200-word guideline too hardcore? 🙂 

If you haven’t yet read Tessa Dare’s delightful Spindle Cove series, you’re really missing out. Buy links for Tessa’s books can be found at

Why yes, this pic IS from my Keeper Shelf!

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