Posts tagged with: contemporary romance

What My Mother, And Walt, Didn’t Tell Me

Life is messy. I don’t know one person who is living the fairy tale that Walt and his tribe, lack of social media, and the sheltering love of parents helped us to envisioned as children. Disagreements were once about how we were affected. Now they included our families, our communities and our world’s state, and these disputes are not easily forgotten with a hug.  Disease, accidents, and death are no longer something that happens to someone else. Financial responsibility is more than adding dimes to a piggy bank. Social manners go beyond saying please and thank you. The news is aired 24/7, and viewed by children. Life is messy.

My grandmother had a saying. If everyone in the room tossed their problems into a pile and then were told to go pick one out, most would pick their own.  

Why would we do that? Because we know what we’re dealing with, we have experience handling it, and we have a sense where we’re headed. Starting over with new problems requires a lot of energy, physically and mentally. Many don’t want to do that. A few don’t have any more stamina left to give. The rare person will give up a less important problem and take on a life threatening one. They are heroes.

Readers love to escape their world. They want to read about other peoples’ problems and learn how they resolve them. They don’t want to read about a fairytale life. They know that world doesn’t exist.  They want to connect with your characters and causing your reader to sympathize with your characters is a way to connect. Give your readers a hero or heroine to cheer for.


Life will always be messy, especially in great works.  





Autumn Jordon is an awarding-winning author of Romantic mystery/suspense and contemporary romance. Check out her sexy U.S. Marshals in the C.U.F.F. series, or fall in love with her characters in the Perfect Love Series. 




Meet 2018 Golden Heart Finalists Eileen Emerson and D. Murphy Ryan!

What a treat here for our second-to-last interview with the Golden Heart class of 2018: today we’re welcoming TWO Persisters, D. Murphy Ryan and Eileen Emerson!

D. Murphy Ryan, also known as Dawn, is a finalist in Contemporary Romance Short with OUT OF THE SHADOWS, and Eileen is a finalist in Historical Romance with AN UNLOVED EARL.

D. Murphy Ryan has lived a life in chapters: as a waitress, a nanny, a photographer’s assistant, a singer and performer, and as a healthcare professional.  But author is the fulfillment of a lifelong dream.  Writing since she was eight, she has a vast array of stories she’s eager to share as she moves onto the next chapter of her storied life.




Eileen Emerson spent years getting a Master’s degree in costume design for the theatre, and then chucked it all to make her way in the world of Corporate America. She eventually turned her creative focus to writing and began submitting her work to the contest circuit, with excellent results. She is now a three-time Golden Heart finalist and is zeroing in on publication.


We’re sitting down to chat in the Writing Room of Eileen’s newly renovated Victorian house, which she’s named Valhalla. Dawn and Eileen will be telling you about their books in the course of our conversation, so let’s jump right in!

FYI, Dawn and Eileen met last year when Dawn joined Valley Forge Romance Writers, of which Eileen is President.

And fair warning: Eileen is also Elisa’s real life sister, so the conversation gets a wee bit personal as we go along. Also, there was waaaaay more giggling and raunchy humor than the final transcript implies. (We talked for 45 minutes!! I had to cut something!!!!)

And one more thing: at one point we got so caught up talking about the possible elimination of the Golden Heart Contest, I decided halfway through the conversation to split that part of the interview off into a separate blog that will post tomorrow. IF YOU’VE GOT STRONG FEELINGS ABOUT THE VALUE OF THE GOLDEN HEART, PLEASE JOIN US AGAIN TOMORROW, AND TELL YOUR FRIENDS!!

Elisa’s questions are in maroon, and Eileen’s answers are in black, and Dawn’s are in blue. 

Off we go…

2018 Golden Heart Finalist Katherine Olson on Self-Care for Writers!

Today we’re welcoming another Persister, 2018 Golden Heart Finalist Katherine Olson, whose manuscript NORTH STAR has been nominated for Best Contemporary Romance!

Katherine lives in south Texas with the rest of Team Olson—her Air Force pilot husband, daughter, two cats, and two dogs. Excellent margaritas notwithstanding, she wishes she was back in Alaska, but settles for writing contemporary romances set in the Land of the Midnight Sun. When she’s not writing a new story on napkins, receipts, and keyboard alike, she’s lifting weights, biking, swimming, and reading all the books.

Here’s a blurb for NORTH STAR:

Yura Nukusuk, an Inupiaq geologist in Alaska, fights to save her home from the devastation of climate change while trying to forget about her first love, NHL hotshot Michel Beaulieu. When mutual friends put together a relay triathlon, Yura aims to use the race to reclaim her dignity and send Michel back to Montreal with his tail between his legs. Instead, Michel sets the record straight about his infidelity and confesses his lingering feelings for her, shifting the ground right under Yura’s feet.

Under the glow of the midnight sun, Michel steps back into Yura’s life as her friend, regaining her trust with every act of kindness and bridging the divide between them. Caught between her calling and the man determined to win her back, will Yura leave the Last Frontier to be with the love of her life, or will they remain on opposite sides of North America, forever separated by the Continental Divide and an inability to forgive?

Oh, sigh! I’m such a sucker for second chance love, and I think it’s fabulous that you’re mixing in climate change, athletic competition, and love as a guiding “North Star!” (Excuse me while I sigh again!!)

Katherine’s here today with some wonderful advice for all of us: concrete things to do on those days when we feel down, and aren’t sure how to get back up again!

Take it away, Katherine!


Self-Care for Writers

That’s it, you think, hearing the heavy-handed criticism from someone in your critique group.

Or reading the polite let-down from yet another agent you’d queried.

Or the scathing review from a reader who did not care for your book and wasn’t shy about letting the entire world know.

I just can’t do this anymore.

A writer’s career is rife with opportunity for disparagement—by its very nature, we are putting our work and ourselves out in the world for public consideration and either adoration (we all hope!) or rejection, in its many permutations. So, what’s a tender-hearted writer to do? How does one cope with the ups and the downs and not lose sight of the reason we started telling stories in the first place?

I don’t have easy answers for those questions, but what I do have is a game plan for putting myself back together when the rejection comes. In no particular order, here are some strategies that have helped me pick myself back up and get back to doing what I do best.

Meet 2018 Golden Heart Finalist Melanie Edmonds

Today we’re welcoming another Persister, 2018 Golden Heart Finalist Melanie Edmonds, whose manuscript PLAYED is nominated for Best Contemporary Romance.

Melanie lives in the suburbs of Chicago with her Cardinals-loving husband and the three lovely daughters he’s ruined into being the same. When she’s not rooting for the Cubs alone*, she’s thinking about working her way through the alarmingly-high stack of books beside her bed, but really, she’s probably just re-reading The Hating Game.

*just kidding, she doesn’t care a bit about baseball. Her true passion is giving her husband sh*t. No, wait, it’s tennis Yes. Tennis.

Here’s a blurb for PLAYED:

With her career in free fall, star tennis player Anna Carsten is ready to walk away. But when her dad’s gambling jeopardizes control of their tennis academy, she’s determined not to let it slip from her grasp. Climbing to the top of the rankings is hard enough, but getting to the bottom of her family’s secrets has been impossible—until she decides to hire her father’s protege-turned-enemy as her new coach. 

Former Irish tennis pro Declan Riordan never thought he’d speak to a Carsten again, let alone coach one. Then he discovers it’s not Anna’s game her aunt wants him to fix—it’s her matches. Reluctant to return to the past he thought he’d left behind, he’s determined to figure out what the Carstens are hiding—even if it comes at the expense of the girl he swore he wouldn’t hurt again.

As Anna and Declan wind their way through the U.S. hardcourt season, the cost of winning on the court collides with the bets made off it. And just as Declan realizes that redemption might mean sacrificing his future, Anna is forced to choose between the family loyalty she didn’t know she should doubt and the man she didn’t think she could trust.

I love the idea of a sport romance set in the tennis world—with the heroine as the central athlete! Sounds like it’s full of suspense and emotional complexity, too. Congrats, Melanie, on spinning a story that earned a Golden Heart final!

Melanie’s here today to talk with us about beginnings—in particular, the beginning of her own career in writing Romance. It’s a story I think will resonate with many of us in this community.

Take it away, Melanie!!


The beginning of a story is never easy. It’s why we spend countless hours honing and revising. Lure the reader in, don’t give too much away, but don’t say too little. A delicate balancing act. I have myriad versions of my opening, so many I used to joke I wasn’t sure if I was writing a novel or merely writing the start of one, over and over again. My own personal Groundhog Day.

Yep, beginnings are hard.

But they’re hard in real life, too. Like probably most people reading this post, I started writing at an early age. My grade school required every fourth through sixth grader to put 200 words on a page, every day. Fiction, non-fiction, copied from a book. Didn’t matter. And I loved whipping out those words, creating stories and characters that I’d then run home and pitch to my brother. (To this day, when he asks what I’m writing, I like to begin with “Well, there’s this girl and…” And, for better or worse, that opening line still works!)

How Do You Find Your Characters

Many years ago, I was like a shaky legged fawn stepping into the world of writing. I had written before, for myself and for my school newspapers, but this new world was totally different and scary as hell. I knew if I was going to survive I would need a strong man by my side so I began my search for the man I knew whose name was Hudson Alan Mitchel.

I searched every store, every street corner, and every office I entered, but I was always disappointed. Yes, there were plenty of men in all those places but none were Hudson.

This went on for months, during which time I began to write his story. It came to me like I was listening to his dreamy baritone voice over the radio. (Yes, at that time there was no podcasts or You Tube channels). Taking long walks and listening to him like we were connected by our cell phones, I learned what he liked and didn’t like. I discovered all of his dreams from childhood and on. I felt his angst over the burdens and problems he carried as a major league ball player. I became aware of whom he trusted and who would put a knife in his back because of his fame. And he revealed to me his most personal desires. He wanted a woman just like me. (Yes, when he told me that, it was a sigh worthy moment.) But sadly, I was blissfully married to my own hero and being the decent guy he was Hudson said he would always be my friend.

But I didn’t have an idea of what he looked like. I knew his heart but not his face.

He assured me that we would meet and soon.

I wanted to meet Hudson so much, face to face, and touch his cheek and let him know that I would do anything to find the woman of his dreams for him. I wanted him as happy as I was. Then, I thought why not start the search for Hudson’s dream woman right away. It would be so great to be the one to orchestrate their cute-meet.

One sunny afternoon, I sat on my patio, flipping through a catalog when Sileen Wright caught my eye. She had long, nutmeg brown hair and dark eyes like I did, but she had a cute button nose like Sandy Bullock and a body I’d need to exercise like ten hours a day for a year to achieve. But physical beauty wasn’t all Sileen had going on for her. Her smile reflected her warm heart and her witty sense of humor. She had a look that told you exactly how she was feeling.

I felt privileged when she told me about her family and her dreams to work for NASBO (National Association of Small Business Owners). However, I picked up on the sadness when she spoke about those dreams. She hid the sadness quickly and I didn’t pry. I knew who could help her figure out her problems­~the man who I trusted. They were perfect for each other.

Maybe a month after, Sileen and I met, I attended my first big writer’s conference at Penn State’s main campus. For three days, I learned more about the craft from great writers such as Merline Lovelace. ~I love Merline’s work and not because she gave me such great advice. Her writing is wonderful.~ Anyway, my critique partners and I stopped at a local café and while we enjoyed Ben and Jerry’s ice cream (I know, I know about the Creamery now!) Hudson appeared. It was love at first sight. Yes, I mean me. But at last, remember I was married. So, it was love at first sight for Sileen and Hudson and their story took off in my imagination.

After years, their story is now going out into the world and you all are among the first to know how Sileen and Hudson’s love affair started.  Perfect Fall is up on all venues for a preorder price of $.99 now.  It will release in four short weeks on July 18, 2017 at $4.99. Grab your copy today and if you feel like sharing the information with your friends, please do!




I Books


To me the story is all about characters. Finding a picture of my characters and interviewing them is usually how I begin to learn the direction and theme of my stories. Where do you start? Do you just dive into write and learn about them as you go?  Do you use character charts?



Autumn Jordon is an award-winning, sneaker wearing Ruby. She loves writing both contemporary romance filled with chuckles and romantic suspense/mystery meant to keep you on the edge of your seat, guessing. Visit her website for information on all her works and to join her newsletter.

Meet 2017 Golden Heart Finalist Jo Anne Banker!!

Today we’re welcoming another Rebelle, 2017 Golden Heart Finalist Jo Anne Banker, Finalist in Contemporary Romance with her manuscript THIS CHILD IS MINE.

This is Jo Anne’s third Golden Heart® final. She won the Short Contemporary category in 2011 with LOST AND FOUND, and finaled again in Contemporary Romance in 2015 with HOMECOMING. She writes about the secrets that families guard and the love that heals them.

She’s owned a bookkeeping service for years, and finds balance in the creativity of storytelling. She has volunteered with her local RWA chapters, serving as President, Vice-President, Secretary, Treasurer and contest coordinator. She lives in Houston, Texas with three overly-pampered cat, where she enjoys the theatre, an eclectic mix of foods, good friends, and family.

Here’s a blurb for THIS CHILD IS MINE:

A date rape survivor returns home to care for her dying father, and faces the two men who changed her life. A vicious attack, a desperate secret, and a love that can heal even the deepest hurt…

Jenna’s world shattered the night her boyfriend’s twin brother assaulted her. She fled her hometown the next day, but found herself pregnant from the attack. Twelve years later, she reluctantly returns to care for her dying father. But feelings long since buried resurface when she meets her lost love.

Cade never knew why Jenna deserted him. Until she shows up in town with a son who looks exactly like him. There’s only one problem. The child can’t be his. The only answer leaves him furious and hurt. She betrayed him with his own brother.

Can these two childhood sweethearts get past their anger to find happiness and love in forgiveness?

That sounds intense!!! I hope we see it on bookshelves soon!

Jo Anne is here today to talk about a fascinating topic every writer needs to think about: the importance of knowing your “core story”!

Take it away, Jo Anne!


Core Story: Or Why We Write What We Write

As writers, we all have a core story, a common theme, infused throughout our novels. It inspires our characters to pursue their goals, to overcome whatever conflicts we throw in their paths, motivating them to strive for their happily-ever-after. This theme is the underlying meaning of the story, the life lesson exemplified throughout. It normally has a universal nature, one understood as part of the human condition, so it transcends race, religion, and language, and instead encompasses experience. It might be a coming of age story, or good versus evil. Perhaps it’s betrayal, or lost love renewed. But if we examine our tales, whether they be filled with fantastical creatures, lords and ladies, or Navy seals, we’ll find that each of us writes our own individual core story.

Recently, Jayne Ann Krentz signed her new Amanda Quick historical release, The Girl Who Knew Too Much, at Murder By the Book here in Houston. During her chat with the audience, she promised her readers that although she’d changed the landscape of her new novel from Regency England to the Hollywood/Southern California coast in the 1930s, she had not changed her core story. Jayne/Amanda knows that her readers pick up one of her books with the expectations of a certain type of story and characters, and she wanted to assure us those would always be there. A strong suspense plot, a dark hero who walks with an emotional limp (and sometimes a physical one, too), a smart, fearless heroine, and that core story, which in Jayne’s case is about trust. What makes her romantic stories so beautifully yummy is the trust her hero and heroine develop for each other.

As it turns out, my core story is about healing family hurts. I believe each of us has some type of family karma, and that it’s healthy to identify and work with what we’re given. Why do some have co-dependent relationships that promote victim consciousness, while others come from a healthy nurturing place? Why is it important for some people to have children, and some choose not to? Why do some express obsessive behavior destructively, becoming alcoholics or drug addicts, where others focus that same obsessive behavior into eating right, exercising, and living healthy?  

I write stories where love not only heals family, but where it often forms new families. Not always with biological family members, or sometimes with lost family members found. My stories are often about children separated from a parent in some way. My maternal grandmother had four children, each with a different man. I don’t know why. She died before I was born. But the half-siblings, each seven years apart, all grew up without fathers. My own father and paternal aunt were both adopted. In the five generations I’ve researched, either adoption, growing up without a parent, or raising someone else’s child is prevalent. Parent/child separation, family karma. I recently joked with friends that I write about the skeletons in everyone else’s closets to keep my own rattling bones at bay.

Multi-published New York Times bestselling author Sharon Sala says that everything in her stories comes full circle, because that’s how she sees life. “We are born, we live, we die, and as one life ends, another is beginning. Full circle…. From conflict to solution. From sadness to joy. From being alone to finding a happy-ever-after love. From beginning to end…” Sharon writes characters we all love, and we love seeing them come full circle to their HEA.

Popular historical author Shana Galen finds her central theme tends to be the fish-out-of-water trope, usually in her heroines, sometimes in her heroes. Shana believes there are several reasons she writes this core story. First, “…a character who doesn’t have all the answers and is unsure of herself is approachable and likeable…. Secondly, this convention gives me lots of opportunities for conflict and comic relief. If I throw a character into a situation she’s not ready for, she can get into trouble and she can also mess up in funny ways. Thirdly, this is a theme in my own life. From a young age, I’ve held views and opinions very different from those of my family and friends. …I became a romance writer, which is not exactly a common profession.” Because it’s familiar to Shana, it’s easy for her to write. Feeling out of place is something to which we can all relate. And Shana’s stories are action-packed, and her characters do get into lots of fun trouble!

Award-winning romantic suspense author Colleen Thompson writes about women harnessing their anger in a positive way, “…using [that anger] to find their strength and right a wrong rather than continuing to ‘behave’.” Colleen gravitates toward this theme because “…women are fed from childhood the message that it’s not nice not to be nice, so much so that we end up swallowing the unpleasant and internalizing the damage rather than risking making a scene and drawing attention to ourselves. What happens when a woman reaches her limit and stands up for herself or those who can’t protect themselves? What price does she pay, and what rewards can she reap?” Colleen is tough on her heroines. She puts them in situations where if they want to live, they’d better find the emotional strength to fight for what they love.

My friend and three-time Golden Heart® finalist, Kay Hudson, and I were talking about common themes a few days before Jayne brought it up at her book signing. Kay’s core story is about “…starting over, beginning a new life, a new adventure, a new romance.” Kay doesn’t know why, except “…it always seems like good story material, and a springboard for humor, as my heroines tend to be the sanest person in the room, surrounded by oddball associates.” Kay wrote an article once on how she came to write what she writes, and found a line that sums it up for her. “Love is funny. That’s my story, and I’m sticking to it.”

I’ve spoken with writers who say nothing personal ever appears in their stories, it’s all about the fantasy for them. I’ve talked to many more who agree there’s something of themselves in every one of their protagonists. But I believe that even if it’s subconscious, everyone’s core story is a basic life lesson learned deep in our own psyche. We don’t choose our theme, then write a story around it. In fact, we often finish a story without even being aware of any theme. But it’s there.

Can you identify yours? What thread of life is your common theme? What’s even more interesting: why is that core story yours?



Connect with Jo Anne Banker on Facebook!

What Do Your Characters’ Jobs Reveal About Them?

Jobs are hard for writers. Not that employment is hard, or even writing, although they are, but deciding on jobs for characters is especially hard. A reader’s first impression of the hero and heroine might be provided by their occupations and go a long way toward establishing personality traits.

If your blurb indicates that a hero is a cowboy or an oil-rig worker, that describes a type of physicality that wouldn’t necessarily be associated with a doctor or an accountant. The difference between a botanist and a financier speaks volumes without saying another word.

In my Billionaire Brotherhood series, the three heroes are, well, Billionaires, but is Independently Wealthy really a job? They each needed to have their own professions, but I didn’t want them to be the hard-driving corporate-executive type that’s often associated with the term. In my character profiles, they were designated as the Intellectual, the Dare-devil, and the Athlete, so their occupations needed to reflect that. All of them had broken away from their super-successful family businesses. One was an English professor, one was a financier, and one was a football player. For their counterparts, the heroines needed to be the kind of every-day, girl-next-door women that wouldn’t normally populate the men’s social circles. One was a writer, one was a pediatrician, and one was a museum curator.

In my Good Riders series featuring a Cincinnati motorcycle club, I wanted to show that people from all walks of life enjoy riding motorcycles, not just troublemaker, bad-boy bikers. My heroes include a news reporter, a computer programmer, and a fireman. The heroines are a documentary film-maker, a teacher, and a midwife.

And then came the fourth Good Riders book, FACE THE MUSIC. The hero is an astrophysicist and the heroine is a classical pianist. Oops! I knew nothing about either one of those professions. So, that was a challenge. Why would I do that to myself? It was an accident, of course.

The hero, Elliott, is the brother of Mitch, the hero in MEANT FOR ME. Elliott was introduced in Mitch’s book as this science-guy, physics kid. He pre-existed before I knew he was going to have his own story. Since he had once been a child prodigy, I wanted the heroine to have been a child-prodigy, too, in an area that seemed opposite of Elliott’s strengths. I liked the idea of a contrast between the creative artist and the man of science combined with their commonality of similarly odd childhoods. Writing them was fun, but I’m not sure I’ll go so far outside my comfort zone any time soon.

Since I write contemporary romance, my characters are never going to be intergalactic bounty-hunters or mystical priestesses. Typically, I give my characters jobs that are relatable to me as well as to readers. But what kinds of professions most appeal to readers? Conventional wisdom says to avoid rock stars and sports heroes, but is that still true? What are some interesting or unique jobs I could consider for my future characters?




Jacie Floyd writes contemporary romance, romantic comedy, and emotionally-rich stories that feature heart, heat, hope, and humor. Before publication, she was honored to be named an RWA six-time Golden Heart Finalist and two-time Golden Heart winner. Since abandoning her day job in 2014, she has self-published eight books and a novella. Her eighth book, FACE THE MUSIC, from the Good Riders series, debuted this week.

She loves hearing from readers and writers and invites you to contact her at,,, or






I wake up with dread, knowing I have an ironclad this-is-really-it deadline looming. I’ve delayed long enough. The book is written, but other tasks MUST be completed. Final edits. Uploading files. Newsletter draft. Create ads. Schedule a blog tour. Secure beta readers. Update website. On and on. These tasks are not my strong points, but I must stay focused.

I routinely start my day with exercise, because good health is imperative. I never let anything—except bad weather or a good book—interfere with my morning exercise. Unless I get invited out for breakfast. Or I sleep late. But whatever. Exercise is important.

After my power walk (stroll), I’m hot and tired. While cooling down with a glass of iced tea, and maybe, a cinnamon roll, I check my iPad for what’s going on in the world of Facebook, Twitter, Instagram, and Pinterest. I post a couple of comments, just to stay relevant. And then, I check email, because I might have a request for a speaking engagement, a note from a reader, or an ad from Amazon tempting me to purchase more books. I don’t need more books, but it’s almost a professional obligation to check out the competition and see what authors and titles are being promoted.

Three purchases later, I’ve wasted—or invested—too much time in social media, but I haven’t played any of my numerous word games. I should take a peek at them. And I shouldn’t neglect my Trivia Crack skills. You never know when a random factoid will come in handy.

The morning is slipping away, but I can still accomplish my goals. I power up my computer and settle in until I remember that a load of towels desperately needs laundering. But my husband interrupts. “What’s that?” I ask. “You want me to run to Home Depot with you to pick out paint for the kitchen? Okay, but only if we can be quick about it.” Unfortunately, choosing paint colors is more time-consuming than it sounds. Especially after investigating the possibility of replacing the kitchen cabinets. And flooring.

But now it’s time to get busy, and I’m ready. Except that my stomach growls. Got to keep up my strength. I could eat at my desk, but it’s so pretty outside. I’ll be more capable of working all afternoon, if I get a little fresh air. Before returning to my office, I realize I never put those towels in the dryer, and that absolutely has to be done.

Time to get on those edits, but didn’t I schedule a Ruby blog this week? What was I planning to blog about? FACE THE MUSIC, my upcoming release? Astrophysics? Concert pianists? Motorcycle clubs? Topics skitter through my brain. Nothing gels.

Maybe a snack would help. I should put on some chili for supper. Oops, there goes the mailman. Is that a hang nail? Where are my nail clippers? Did I forget to make an appointment for my mammogram?

And so it goes. When I’m writing a manuscript, or even doing revisions, I’ll gladly stay glued in my chair. Promotion and pre-publication stuff just screams out for procrastination. But I’ll get it done. I have to. I have a deadline. But excuse me, please, my dryer is beeping. Towels don’t just fold themselves, you know.

Jacie Floyd’s contemporary romance and romantic comedies are emotionally-rich stories about strong women and bold men. From 2001 to 2013, she was a six-time RWA Golden Heart Finalist and two-time Golden Heart winner. Since abandoning her day job in 2014, she has self-published seven books and a novella. Her eighth book, FACE THE MUSIC, from the Good Riders series, is now available for pre-order with a May 25 release date.

She loves hearing from readers and writers and invites you to contact her at:









Heart, Heat, Hope, and Humor

No surprise here, but I have closets full of ‘keeper’ books that go back decades. Crisp contemporaries, crumbling high school favorites, bold and sweeping historicals, witty chick-lit, proper regencies, and romantic suspense. I love them all.  

            Early in my writing career, I studied my keepers to determine what—beyond plot—had me clinging to this particular assortment of books. Clearly, I gravitated to believable stories and relatable characters. Beyond that, no matter what the conflict, century, or setting, there were certain identifiable, emotional elements that kept me coming back. Now, when I’m revising a manuscript, I always make at least one editing pass that focuses on the basic elements that I call The Four Hs.

           First, for me, there is Heart—the beating pulse of every love story. I need to know that   the hero and heroine will ultimately care deeply about one another. That their emotional journey will touch my heart, and that whatever conflict might occur, they are the absolute match the other one needs to form a lifelong relationship.

            Second, bring on the Heat. Whatever level of sensuality you’re comfortable with, there must be that initial spark of flirtation that kindles attraction and ends with a firestorm strong enough to keep them warm for a lifetime.

            Third, there’s just something irresistible about Hope. I want my heroes and heroines to have a sense of optimism. Hope should live in their hearts no matter how dire their situations, how black the blackest moment. They will find a way to make it work, to figure it out… somehow.

            And fourth, when in doubt, add a dollop of humor. There is nothing I like better than a wry aside, an amusing exchange, or dialogue that sparkles on a wave of witty banter. Characters or situations that make me smile, chuckle, or laugh go a long way in keeping me entertained.

            So, there we have my four essential Hs: Heart, Heat, Hope and Humor. You could say Happily Ever After is the fifth H on the list of necessities, but that’s a foregone conclusion for a romance, now, isn’t it?

            As a reader or a writer, what must-have elements put a book on your keeper shelf?

Jacie Floyd writes contemporary romance, romantic comedy, and emotionally-rich stories about strong women and bold men. While polishing her craft as an unpublished author, she was honored to be named a six-time Golden Heart Finalist and two-time Golden Heart winner by RWA. She has self-published seven books and a novella since 2014. Her eighth book, FACE THE MUSIC (Book 4 in the Good Riders series) will be available in April.

She loves hearing from readers and writers and invites you to contact her at,,,

New at Harlequin: Two Single-Title Imprints and an Erotic Series

Harlequin is pregnant! 

The venerable bastion of second-chance Amish SEAL daddies and billionaire rodeo secret-baby doctors will give birth to two new single-title imprints in 2017 and a yet unnamed “explicit and graphic” romance series in early 2018.

Graydon House

Unconventional. Emotional. Multi-layered. Breathtaking. Edgy. Issue-driven.

A commercial women’s fiction imprint on par with HQN and MIRA, Graydon House is anchored by Dianne Moggy (VP Editorial) and Susan Swinwood (Executive Editor). This select hardcover and trade imprint will release its first title in September 2017 with How to Be Happy by Eva Woods, which was acquired in a six-figure deal and is reputed to be like if Me Before You had a baby with Beaches. Women’s fiction superstar Kristin Higgins will be releasing Now That You Mention It with Graydon House, so this is definitely the place for your highly emotional family and friendship sagas, but darker veins do run through Graydon House.

“We’re seeing a real shift towards bigger, more layered commercial fiction where the characters are dealing with a variety of relationships—with siblings, spouses, friends, lovers—and that’s where Graydon House’s focus will be,” said Swinwood in a press release. “The unconventional love story, modern relationship fiction, with topical issues for book club discussions, women coping with the ups and downs of life, careers, dating, marriage, divorce, even death.”

Among the releases on the docket for 2017 are an intriguing time-slip mystery by Nicola Cornick as well as Best Day Ever by Kaira Rouda, which sounds from its description to be riffing on the sinister marriage themes explored by Gillian Flynn’s blockbuster Gone Girl

Frankly, I’m still not clear on the distinctions between all of Harlequin’s single-title lines, but I know that Graydon House is the place to send your “big” women’s fiction…if you have representation. Like Harlequin’s other single-title imprints, Graydon House only accepts agented submissions.

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