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Posts tagged with: character profiles

BECAUSE OF SEASONS

If you’re thinking this blog is about setting, you’re totally wrong.  Maybe I should’ve changed the title so you wouldn’t have thought so, but after I started brainstorming ideas for a blog it actually fit.

My original idea was to write about two lessons I learned many years ago from my creative writing professor which, yes, would’ve pertained to setting, but then two of my Ruby sisters had also mentioned on our private loop that they planned blogs about the subject. Although I knew we’d approach the subject matter from different angles, I kind of figured our readers would say enough already.  So I’ll save my thoughts on setting for another time.

Anyway, going back to my creative writing classes— since I know you’re all dying to know what they were—the first one was free writing. We all know what that is, right? You just write whatever comes to mind without stopping for a length of time and the writing doesn’t need to follow rhythm or reason. It’s a way of freeing your muse. Thinking about that lesson helped me put a twist on the second lesson, which was setting sense and had to do with experiencing your world.

When we think of seasons we contemplate visions of spring, summer, autumn and winter and all the elements that make them unique. But for today, we’re going to think of seasons in term of our character’s lives.

People in different seasons of their lives have very different points of view on just about everything. I know I think differently than my children on many topics, including their view of texting to friends while talking to me as multi-tasking. I also have a different point of view than my parents on many subjects.

However, age is not the only factor that determines our mind set.  My views are not always agreed upon by friends who are my age. Everyone’s  POV has been shaped by many dynamics such as; their racial background, their educational level, the region in which they live, their talents, their experiences with others (job or social networking), past and present world events, handling health issues, religion, and their relationships with family members, to name a few.  To make characters really come to life we need to know which forces molded them—backstory.

A woman of ninety who has been totally blessed all her life is going to look at death differently than a girl of sixteen. And a girl of sixteen who has been blessed will face death differently than a girl who has been repeatedly abused by her father.

A man who has a family that depends on him for support is going to go to a job interview with a different mindset than a man who has no one but himself to worry about. And a woman is going to have a totally different mentality in the same situation.

Two homeless families will have a different outlooks on their future because of their relationship with each other and their faith in God.

Two men hear gunfire. One is a hunter. The other is a vet who has seen the worse side of humanity.  Each will react differently to the discharge.

A person who has never had a new car is going to feel differently about their new car than the person who buys a new Porsche every year.

Those are simply examples, but I think you get my drift.

I remember while cleaning for my grandmother I found dozens of pieces if cardboard maybe six inches in length. Each had many different colored threads spooled around them.  The threads were extras that came from clothing that had been undone.  She also kept sheets of used aluminum foil of all different sizes in a box. They were to be reused.  My grandmother lived through the great depression.  Many things she did all her life were based on the time she lived through.

Each season of life as well as how much we have been seasoned influences our POV and fuels our motivation in doing everything. So it should be for our characters.

 

 

Autumn Jordon is sneaker-wearing Ruby who authors light-heart contemporary romances and seat-edging mystery/suspense novels.  Join her newsletter at autumnjordon.com and receive a free book and many short reads, available only to her subscribers. 

What Do Your Characters’ Jobs Reveal About Them?

Jobs are hard for writers. Not that employment is hard, or even writing, although they are, but deciding on jobs for characters is especially hard. A reader’s first impression of the hero and heroine might be provided by their occupations and go a long way toward establishing personality traits.

If your blurb indicates that a hero is a cowboy or an oil-rig worker, that describes a type of physicality that wouldn’t necessarily be associated with a doctor or an accountant. The difference between a botanist and a financier speaks volumes without saying another word.

In my Billionaire Brotherhood series, the three heroes are, well, Billionaires, but is Independently Wealthy really a job? They each needed to have their own professions, but I didn’t want them to be the hard-driving corporate-executive type that’s often associated with the term. In my character profiles, they were designated as the Intellectual, the Dare-devil, and the Athlete, so their occupations needed to reflect that. All of them had broken away from their super-successful family businesses. One was an English professor, one was a financier, and one was a football player. For their counterparts, the heroines needed to be the kind of every-day, girl-next-door women that wouldn’t normally populate the men’s social circles. One was a writer, one was a pediatrician, and one was a museum curator.

In my Good Riders series featuring a Cincinnati motorcycle club, I wanted to show that people from all walks of life enjoy riding motorcycles, not just troublemaker, bad-boy bikers. My heroes include a news reporter, a computer programmer, and a fireman. The heroines are a documentary film-maker, a teacher, and a midwife.

And then came the fourth Good Riders book, FACE THE MUSIC. The hero is an astrophysicist and the heroine is a classical pianist. Oops! I knew nothing about either one of those professions. So, that was a challenge. Why would I do that to myself? It was an accident, of course.

The hero, Elliott, is the brother of Mitch, the hero in MEANT FOR ME. Elliott was introduced in Mitch’s book as this science-guy, physics kid. He pre-existed before I knew he was going to have his own story. Since he had once been a child prodigy, I wanted the heroine to have been a child-prodigy, too, in an area that seemed opposite of Elliott’s strengths. I liked the idea of a contrast between the creative artist and the man of science combined with their commonality of similarly odd childhoods. Writing them was fun, but I’m not sure I’ll go so far outside my comfort zone any time soon.

Since I write contemporary romance, my characters are never going to be intergalactic bounty-hunters or mystical priestesses. Typically, I give my characters jobs that are relatable to me as well as to readers. But what kinds of professions most appeal to readers? Conventional wisdom says to avoid rock stars and sports heroes, but is that still true? What are some interesting or unique jobs I could consider for my future characters?

https://www.amazon.com/Face-Music-Good-Riders-Romance-ebook/dp/B072DTF7C5

 

 

 

Jacie Floyd writes contemporary romance, romantic comedy, and emotionally-rich stories that feature heart, heat, hope, and humor. Before publication, she was honored to be named an RWA six-time Golden Heart Finalist and two-time Golden Heart winner. Since abandoning her day job in 2014, she has self-published eight books and a novella. Her eighth book, FACE THE MUSIC, from the Good Riders series, debuted this week.

She loves hearing from readers and writers and invites you to contact her at www.JacieFloyd.com, https://www.facebook.com/JacieFloyd/, https://www.pinterest.com/JacieFloyd/, or https://twitter.com/jaciefloyd

 

 

 

 

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