Posted by Heather McCollum Feb 18 2019, 1:00 am in character motivation, craft, writing
Have you ever started reading a book and wondered if the awful person you have met is actually the hero? Surely it can’t be the jerk who seems to have no redemptive qualities. Yes, a hero, as well as a heroine, needs to grow and change to make a story, but sometimes one of them seems so terrible that we don’t really want to watch their growth through a whole book. If a reader thinks the same, he/she will close the book. Don’t let that be your book.
Blake Snyder wrote SAVE THE CAT: The Last Book on Screenwriting that You’ll Ever Need. I read this book cover to cover and loved it. I’ve delved into the details, mapping out the pacing for my own books. That was before I realized that Jessica Brody took Snyder’s info and revised it to help authors writing novels called SAVE THE CAT! WRITES A NOVEL. I just bought it but haven’t yet had a chance to read it. But if it follows Synder’s screenplay writing book, I’m certain that it is fabulous.
One of the first things Snyder talks about, and what he named his book, is Saving the Cat. What exactly does that mean? Snyder says, “It’s the scene where we meet the hero and the hero does something – like saving a cat – that defines who he is and makes us, the audience, like him.”
If you have a character who acts terrible at the beginning of your book, but you want the reader to continue reading and rooting for the character to grow and win love, then you need to give them a redemptive quality. They should secretly have a golden heart or a strong moral compass even if circumstances are making them act like a horrible person or even just a self-centered person. The way to show this golden heart is to have them do something unselfish and good like literally saving a cat.
I just read a book where the heroine is an assassin, and the opening chapter details how she kills an innocent man. This is awful, and I could never root for her to be happy, except that we are in her head in the book. We hear the remorse and the reason behind her actions, and they are honorable reasons. She is saving her younger sister.
The Saving the Cat technique can work in many different ways. I have literally made my hero in THE WOLF OF KISIMUL CASTLE, who was
kidnapping my heroine, save a dog. So, although he’s carrying a woman away from her wedding, and he has flung her over his shoulder while she berates him and whacks him with her rose bouquet, he stops to save a chained dog. We instantly see his golden heart and forgive him a bit for his barbarian ways. Okay, so maybe I wouldn’t hate a gorgeous Highlander for giving me the best kiss I’ve ever experienced and then carrying me away from a wedding that I don’t want to go through with anyway.
In another example, I have a hero (SACRIFICE: Book 5 of The Dragonfly Chronicles) who was raised by demons to usher on the end of the world. Before he starts doing terrible things, I have him use his magic to save a child with cancer first. This was his Save the Cat and helped my reader forgive him for his bad attitude. Although he was raised to be the big bad, demon of doom, he has a golden heart full of mercy and
compassion.
The more terrible the hero or heroine is in the beginning, the more important it is to show him or her “saving the cat.” If your hero or heroine doesn’t have a spark of good or mercy inside them to do a small act of kindness or show a golden hearted motivation, then they, in my opinion, don’t deserve to be a hero or heroine. And if your reader thinks this way too, they may shut your book, something to avoid at all costs.
Do you try to show your hero and/or heroine doing something kind or having an honorable motivation behind their early downfalls? As a reader, do you root more for the flawed characters if you know they have a golden heart?
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