Posts tagged with: writing

When did you know you wanted to be an author?

All authors have stories about receiving The Call. For some of us, that big, memorable call might have been about the Golden Hearts or the Ritas. Others may have a call story about getting their agent or first sale. Or maybe it’s the first time they hit a best-seller list.

But The Call that we’ve all experienced is the moment we knew that we were called to write stories–that magical moment we scratched a pencil across paper (or put our hands on the keyboard) and knew this is what I was born to do!

What Do Your Characters’ Jobs Reveal About Them?

Jobs are hard for writers. Not that employment is hard, or even writing, although they are, but deciding on jobs for characters is especially hard. A reader’s first impression of the hero and heroine might be provided by their occupations and go a long way toward establishing personality traits.

If your blurb indicates that a hero is a cowboy or an oil-rig worker, that describes a type of physicality that wouldn’t necessarily be associated with a doctor or an accountant. The difference between a botanist and a financier speaks volumes without saying another word.

In my Billionaire Brotherhood series, the three heroes are, well, Billionaires, but is Independently Wealthy really a job? They each needed to have their own professions, but I didn’t want them to be the hard-driving corporate-executive type that’s often associated with the term. In my character profiles, they were designated as the Intellectual, the Dare-devil, and the Athlete, so their occupations needed to reflect that. All of them had broken away from their super-successful family businesses. One was an English professor, one was a financier, and one was a football player. For their counterparts, the heroines needed to be the kind of every-day, girl-next-door women that wouldn’t normally populate the men’s social circles. One was a writer, one was a pediatrician, and one was a museum curator.

In my Good Riders series featuring a Cincinnati motorcycle club, I wanted to show that people from all walks of life enjoy riding motorcycles, not just troublemaker, bad-boy bikers. My heroes include a news reporter, a computer programmer, and a fireman. The heroines are a documentary film-maker, a teacher, and a midwife.

And then came the fourth Good Riders book, FACE THE MUSIC. The hero is an astrophysicist and the heroine is a classical pianist. Oops! I knew nothing about either one of those professions. So, that was a challenge. Why would I do that to myself? It was an accident, of course.

The hero, Elliott, is the brother of Mitch, the hero in MEANT FOR ME. Elliott was introduced in Mitch’s book as this science-guy, physics kid. He pre-existed before I knew he was going to have his own story. Since he had once been a child prodigy, I wanted the heroine to have been a child-prodigy, too, in an area that seemed opposite of Elliott’s strengths. I liked the idea of a contrast between the creative artist and the man of science combined with their commonality of similarly odd childhoods. Writing them was fun, but I’m not sure I’ll go so far outside my comfort zone any time soon.

Since I write contemporary romance, my characters are never going to be intergalactic bounty-hunters or mystical priestesses. Typically, I give my characters jobs that are relatable to me as well as to readers. But what kinds of professions most appeal to readers? Conventional wisdom says to avoid rock stars and sports heroes, but is that still true? What are some interesting or unique jobs I could consider for my future characters?




Jacie Floyd writes contemporary romance, romantic comedy, and emotionally-rich stories that feature heart, heat, hope, and humor. Before publication, she was honored to be named an RWA six-time Golden Heart Finalist and two-time Golden Heart winner. Since abandoning her day job in 2014, she has self-published eight books and a novella. Her eighth book, FACE THE MUSIC, from the Good Riders series, debuted this week.

She loves hearing from readers and writers and invites you to contact her at,,, or





Where’s the Beef? Finding Truth and Pain in Comedy

Go on–write comedy!

Maybe you can’t go full Nora Ephron, but even the most serious of novels can use a break. Even you (yes, you!) can add a few lines for laughs to break up all the kissing and fighting and sighing and scheming in your romance.

If it doesn’t come out naturally, it always seemed to me that it shouldn’t come out at all. But several years ago, a friend told me to expand my comedic skill set, so I decided to give it a shot. I borrowed “The Comic Toolbox: How to Be Funny Even If You’re Not” by John Vorhaus, and set about learning how to be more like Jennie Cruisie.

North Star Or Shooting Star. It Begins.

Next week, during the Ruby Winter Writing Fest, we begin the quest to bring our imaginary friends to life.

Reading that line, I’ll bet some of you immediately had this mental picture of yourself sitting at your favorite work spot, downing carafes of coffee or tea (or in my case, Diet Coke) while drilling the key board, writing an entire novel, and within six weeks, finishing it with ‘the end’. Good for you. You have a goal.

Yet, I’m sure some of you froze at the word begin because the choices you have to start your story are limitless. The question where do I begin? haunts you. Which one start should I pick? Is it the right place?  Fear not, I have some advice for you.  

Every writer knows the importance of the first line, the first paragraph, the first page, the first chapter. Failure to immediately gain a reader’s interest is the vilest death to your story. Your work is like a shooting star that speeds across the sky and disappears without a big bang. The dreams and hopes pinned to such a star are gone in one quick moment. It’s far better to be that twinkling North Star.  So today, we prepare to start our masterpieces.

     #1 Great beginnings are the hard work. Rarely do they come easily and quickly and without dozens of rewrites. Sometimes they appear freely in later paragraphs or even chapters. We only need to recognize them when they do. Know that fact. Owned it.

     #2 First impressions are the most lasting; Proverbs.

A magnificent first line must be lean, powerful, and provide the reader with a question or promise. Here are some examples of great lean and powerful lines.

It was a pleasure to burn.  ‘451 Fahrenheit’ Ray Bradbury

All children but one grow up. ‘Peter and Wendy’  J.M. Barrie

There was a bloody man walking down the road. ‘Discovering You’ Brenda Novak

 Brilliant. Each of those lines not only asks questions but they also laid the foundation of book’s theme or its characters’ persona.  Knowing your story’s theme is important. Try outlining ahead of starting your story to learn the theme, but if you finding outlining is not your thing, don’t sweat it. The theme will come to you.

     #3 Ground your readers as quickly as possible in time and place. However, settings should be shown in small bits and either add to the conflict or become a character itself. Examples:

On the day of the miracle, Isabel was kneeling at the cliff’s edge, tending the small, newly made driftwood cross.  ‘The Light Between Oceans’ M. L. Stedman

It was a cold, bright day in April, and the clocks were striking thirteen. 1984 George Orwell

ONE HOT AUGUST Thursday afternoon, Maddie Faraday reached under the front seat of her husband’s Cadillac and pulled out a pair of black lace underpants. They weren’t hers. ‘Tell Me Lies’ Jennifer Cruise


     #4 Write the first chapter as if it were the entire story, with its own escalation of action and conflict. And let it end with mystery and unanswered questions. Mystery demands answers. It propels readers to read on. Do not tell all. Exposition kills drama and backstory is boring.

     #5 Write tight. Write fast. Let your voice ring true. Voice is what is truly unique about your story.

      #6 All the boom, boom action or fast paced dialogue will not keep readers flipping pages unless they care about the characters. A great story is an emotional ride. A reader must connect with the characters and care what happens to them immediately. They don’t necessarily need to like them (leads to character growth) but they must understand the character’s actions and feel for them as a human being. Establish your hero/villain goal, give him/her a familiar quality, and then add a ticking bomb. 

     #7 Dialogue is action. It’s fast paced (quickly drawing a reader farther into the story) and it’s an excellent way to show character and conflict. Here are a few great examples.

“Your title gives your claim to the throne of our country, but men don’t follow thrones. They follow courage.”

William Wallace in Braveheart.

“It’s not the broken dreams that break us. It’s the ones we don’t dare to dream.”

Will Schuester in Glee

“The problem is not the problem. It’s your attitude about the problem that is the problem.”

Jack Sparrow in the Pirates of the Caribbean

“Get busy living or get busy dying.”

Andy Dufresne in Shawshank Redemption   

Wow! Wow! Just wow!

     #8 Big or little, internal or external, conflict is a reader’s addiction. Add it where ever and whenever you can. You hear me. Big or little. Internal or external. Pile it on!

     #9 In order to understand a character fully, we need to know the world he came from. Show the character in his or her world in an interesting way, but make that world change quickly. He can be making toast, but why not have make toast over the gas stove. His method of making toast is interesting and says something about his character, doesn’t it? 

     #10  The most important bit of advice on making your first pages awesome I saved for last. Have faith in yourself that the story ahead will be adventurous and fulfilling and go for it!


Anyone else have advice on producing great starts? 


Autumn Jordon, one of the sneaker Rubies, is an award-winning author who writes Romantic Suspense, Thrillers, and Contemporary Romance under the same pen name. Join her newsletter at Autumn

Nostalgic Romance

Nostalgic Romance is my own personal term for any blast-from-the-past romance novel set between 1950 and present day. (Romance Writers of America® now considers 1950 as the cutoff date for differentiating between historical and contemporary novels). Sorry, RWA®, there isn’t much contemporary about a book set in the 60s or 70s when personal computers, the, Internet, and cell phones didn’t yet exist. Still, that period isn’t exactly historical, either. It is, however, filled with nostalgia—a wistful or sentimental remembrance of places, people, conditions, or things belonging to the past.

Our world and gender roles changed dramatically between the end of World War II  and the late 70s/early 80s when the United Kingdom embraced their first female prime minister, Americans elected a movie star as president, disco died, and the Internet was born. Rosie the Riveter’s husband came home from the war and expected her to return to the kitchen so he could have his job back. The Cold War began between the U.S. and the Soviet Union. And only four short years later, the U.S. became embroiled in another military conflict in Korea, which was a war, officially declared or not.

Two years after our soldiers returned from Korea, Rosa Parks valiantly kicked off the Montgomery Bus Boycott with her arrest for refusing to give her seat on the bus to a white man. Soon our soldiers deployed again, this time to Vietnam for another undeclared war that caused great dissension in America. Young men dodged the draft, rock ‘n roll ruled with the British invasion in American music, and beehive hairdos were all the rage.

Blacks and whites alike cried over the assassinations of JFK, Martin Luther King, Jr., and Bobby Kennedy. NASA fulfilled President Kennedy’s vow to win the race for space when the U.S. landed first on the moon during the summer of ‘69 just before rock ‘n roll stars closed the New York Thruway with their three-day concert at Woodstock. In 1973, during the height of the Watergate scandal, our soldiers and POWs finally came home and the country turned its back on the vets who’d served so selflessly.

It was a time of dissension, an era of protest and conflict, not only in the world, but at home between men and women whose gender roles were rapidly changing. Women decided if black men could be liberated, then why not women. Suddenly, daddy was washing bottles and changing diapers while mpow-mia-braceletommy hopped on the Affirmative Action bandwagon, symbolically burned her bra, and pursued a career, demanding equal pay.

While in high school, I, like a lot of people my age, wore a POW/MIA bracelet. My heart wept for these soldiers and their families who were separated for up to nine years while the men were physically and mentally tortured. Some of our GIs never came home. Others returned to grown children who saw them as strangers, some discovered their wives had moved on to other relationships, and far too many came back as hollow shells of the carefree young men they’d once been.

I’ve never forgotten those families and felt compelled to write some of them happy endings, which resulted in my first novel, The Memory of You, the Prequel to my Return to Redemption series. The stories in that series all feature characters who live in the fictitious small town of Redemption, Pennsylvania.

I’ve just released The Wonder of You, another blast-from-the-past, returning Vietnam POW story, however, it’s NOT set in Redemption. It’s the Prequel to my new, spin-off series called Beyond Redemption. Readers will still get to visit with old friends from my previous books in this new series because it will star characters who have friends or family who live in Redemption. After all, the entire world can’t live in one town, now can it?

the-wonder-of-you-cam-smallerlThe Wonder of You

The Love of You series—Book 2 & The Beyond Redemption series—PREQUEL
Her child’s happiness, or her own? A choice no woman should have to make.
Six years ago, Julie Danvers’ husband was declared missing in action. A single tipsy night of indiscretion left her pregnant, guilt-ridden, and still uncertain whether she’s a widow or a wife. When she learns the love of her life, Rick, is actually alive and coming home, she’s both overjoyed and terrified. Now she’ll be forced to choose between her war-ravaged husband—who may be unable to accept her daughter, a sticky-faced reminder of her infidelity—and her child’s father who wants to make them a real family.
The only thing that kept POW Rick Danvers—also known as Ben—sane during his hellish Hanoi Hilton vacation was the dream of holding his beautiful wife again. During Operation Homecoming, he eagerly returns home to discover his entire world has changed. His country doesn’t respect him, he’s lost his parents, and his so-called best friend has already provided Julie the baby Rick ached to give her before Uncle Sam drafted him.
If that’s not bad enough, while Julie was burning her bra, his aging uncle came out of the closet and appointed her president of their family construction business—a position she has no intention of relinquishing. Rick’s now a visitor in his own home, forced to live with a bossy preschool princess who resents him and has hijacked his faithful dog’s affection. Nevertheless, the passion between Julie and Rick burns hotter than ever. He refuses to give up the woman he still loves—or his business—without putting up a damn good fight. He didn’t survive hell only to lose everything in the end.
The hero in The Wonder of You is a talented singer who loves music and is an avid Elvis fan. Throughout this story many songs from the Vietnam War era are mentioned—some you may remember and others you may not be familiar with. Therefore, I’ve created a YouTube playlist of all the recordings for your listening pleasure.   

Read a sample of The Wonder of You

The Wonder of You YouTube Playlist  memories-3d-smaller

BLACK FRIDAY SPECIAL!  From today through Saturday, you can get my boxed set, Memories, containing both The Memory of You and A Little Bit of Deja Vu, absolutely FREE at Amazon! 

Do you have a Black Friday special coming up or a current book promotion? If so, please let everyone know about it in the comment section!


Taming the Mental Chatter

Hello! So…what’s on your mind? Considering that the brain generates 50,000 – 70,000 thoughts per day (or 35-48 thoughts per minute), I’m betting there’s quite a bit crossing through your mind right now. Whew, that’s a lot of mental traffic!

And yet, we are constantly trying to focus. Whether it is creating a strategy to manage evening kid activities, the presentation for the company VP, or the witty dialogue in our book’s pinnacle scene, we need to wade through the chatter clogging our brains to get things done.master-your-mind

As an author, part of my writing process includes daily walks where I think through character motivations and dialogue, but sometimes it is nearly impossible to stay focused. Even small things interrupt my train of thought. Like this morning, I had a pebble in my shoe. I spent half of my walk trying to ignore the pebble and thinking that I need to buy shoes without holes in them until I finally stopped and shook it out. Other days, my monkey brain (what Buddhists call this deluge of thoughts) monkeys swingingswings from to-do lists to what-ifs to vacation plans. If I can’t rope it in and focus my mind on my work, my mental chatter hampers my productivity.


So…what are some ways to tame the monkey brain?

1. Morning Papers. Many authors start the day off by journaling or writing in a notebook. Rather like a mind purge, they throw down thoughts and worries, ideas and tangents. Sometimes this works to get rid of extraneous thoughts before diving into work. I’ve just started doing this, and it helps, but I still think about things. I try to remind myself that I don’t have to since I’ve already written those things down (yes, my psyche and I have arguments about this continually).journal

2. To-Do List. I can’t live without my to-do list. Sometimes it is in my morning papers, but I like to carry it around with me, so it’s usually on another paper. I like to make the to-dos small, steps in a project. This way I can mark off the steps and see that I’m moving forward. Then I actually take time to do some of the to-dos. I know! Crazy!

Even if they are not writing related, I take the time to do them, especially those tasks that don’t take up much time. Because if I don’t do these little things, they take up mental space that I can’t afford. I end up thinking about them much longer than the time it would take to just do them.

For example, I volunteer to keep up my neighborhood bulletin board. I change it out and decorate it about once a month (No, I’m not completely community altruistic. I can put up my book release info easily since I have the key : ). I walk by that board with my dog every day, and if I haven’t kept it updated, it snags my brain for the second half of my walk. Ugh! Too much mental space wasted.

If you have a few things on your list that hijack your mind, just do them so you can move on to more important thoughts.

3. Be aware. If you know you want to focus on something, like a scene or character, then specifically try to put it in your mind at the beginning of the session (session could be walking, doing dishes, driving, showering, etc.). Adding other sensory cues can help. I listen to a specific soundtrack when I’m determined to think about my book. I might light a candle and hold my felt writing gnome. I drink a cinnamon, hot chai latte. All of these things signal to my brain that I should be thinking about 16th century Scotland and not the laundry that needs folding. I also have a few locations that help me think about writing, like on my back porch or at my writing desk (her name is Eleri).

Writing Gnome

Writing Gnome

Chai Latte

Chai Latte

Eleri organized









4. Be Nice to Your Muse. Why didn’t I use a stronger verb than move? That bad review was spot on. I suck. Why do I think I’ll ever get published? My editor hates me.

My muse looks like Xena

My muse looks like Xena

Psychology Today reports that up to 70% of mental chatter is negative, and a lot of that negativity is about ourselves. Often times we are meaner to ourselves than to our worst enemy. And nothing scares away your muse faster than slamming her with insults (You must always respect the muse!). If you find yourself continuously berating yourself, there are techniques to rev up your internal positivity (which I’ve written about in another blog post).

5. Set a Timer. If you must think about something, whether it’s planning a vacation or strategizing about how to talk to your hubby about the ballroom dancing lessons you just signed the two of you up for, set a specific time and duration to plan. Take notes so you know you’ve captured all your thoughts on the subject. When the time is up, put it aside and refocus on your book.

6. Take a Season. If your world has just shattered, your mind will be consumed with shock and picking up the pieces. When I was diagnosed with cancer and had to undergo 15-months of chemo, no amount of lists and daily pages could get me to stop thinking about not dying and my kids and my poor hubby who’d lost his own mom when he was 9 to cancer, etc. The mental chatter filled my head to overflowing. Like plopping bricks in a glass of water. There was no room left for creative thought. So I had to take a step back from my fiction writing. Instead I wrote about my journey and how I was going to survive. A wonderful writer friend told me that I just needed to “take a season” where I cared for myself and didn’t worry about my fictional worlds. For some authors, they prefer to lose themselves in their fictional worlds when theirs has broken down, but not me. I just couldn’t and “taking a season” gave me permission not to stress about it.

Do you have any techniques for taming the mental chatter and focusing on your writing?



Brainstorming Unusual Character




Oops. The Ruby calendar had a few holes, so I thought we’d talk weather today. Not what it’s like in your area (however, you certainly can share), but how weather is used in our novels to trigger change in our characters’ lives. We know the well-worn cliché of the hero and heroine trapped in a cabin during a snow storm, but we don’t want to do cliché. We want to write fresh ideas

Did you see THE POSEIDON ADVENTURE? How about THE GRAPES OF WRATH? Those are two off the top of my head movies/books where weather was the catalyst for change in many lives.

I’m about to begin a new story for my PERFECT LOVE line and I’ve been brainstorming, thinking about my characters and how I can use weather to change their lives, and/or to up the conflict and anxiety. I’m thinking a flash flood wipes away the wedding set-up, thus putting everything on hold. Enter in a contractor who steals the maid of honor’s heart from the groom’s brother.

Here are a few others examples:

A high heat index causes a blackout situation, sending the tenants of an apartment building to the cool basement.

Lightening brings down a tree limb causing a car accident.

A hail storm causes a delay in a flight.

A sunny day on the beach causes a severe sunburn and sends the victim to the ER—step onto the page Doctor do-me- good.

Hot day melts all the icing on the cupcakes, or the wedding cake, the heroine has made.

While camping, a calm night has the heroine hearing every twig snapping, causing her to build big a really big fire which gets out of control.

A sand storm causes a woman to lose her way on the back roads of Arizona.

Okay, this is an interactive blog, so come on, think out of the box, and share your ideas for ways weather can affect your story, or share an example of something you’ve read.Golden Sun



Become Your Heroine: Adding Real-Life Details to Your Stories

sweater pants

These are them! My exact sweater pants. So soft!

As writers we often find ourselves sitting behind our computers, tucked away, safe and sound. We send our heroes and heroines into battle, down dark alleys, to distant planets or on blind dates. While we wear fuzzy socks, sweatpants, and sit at our desks with our hot tea or diet soda. Comfort – it’s a good thing. Personally, I have a pair of sweater-pants that I wear all the time. They hug my legs in the softest material I’ve ever felt. Right now I’m writing before a lovely fire with a cup of English Breakfast tea within arm’s reach. There is nothing wrong with this.

tea before fire





And yet…if we limit our lives to comfort, only exploring our world through pictures on the internet and descriptions in reference books, our writing can start to become…well, too comfortable. Comfortable can become bland, and blandness is death to fantastic writing.

“Crap. Blandness? Is my writing getting bland?”

Don’t fear! You can do something about it. When your ideas start to come from other peoples’ ideas it’s time to get some fresh experiences to feed your characterizations and plot twists. Okay, so it can be a little uncomfortable, maybe a bit pulse-kicking, perhaps requiring more than bunny slippers and fleece pants. It means leaving the computer behind and stepping outside into the big, color-filled world.

Time for a field trip!field trip


Feel free to grab a buddy, load the GPS and pin your return address to your sweater (However you may get a stalker following you home. On the up side, the experience would fit right into a suspense plot line!). Yes, it would be wonderful to travel to exotic locales (I did visit Scotland and England, which was fabulous), but you don’t have to spend a lot of money or go far to find thousands of details and entice your muse out to play.

For example, my 9-year-old just brought home a permission slip for a field trip to our local planetarium. The teacher is asking for chaperones. Yes, it means a morning away from the computer, but going also means sitting under the stars, watching planets and learning a thing or two about our universe. Not only would this first-hand information aid me in writing a sci-fi romance, but it could fit into contemporary romances too. My heroine could find herself in the dark next to a hot-bodied astronomer or executive chaperoning his niece’s class to the planetarium.planetarium

Ooooo, so much fodder for stories! So I signed up to chaperone, knowing that I will come away from my daughter’s field trip with all sorts of first-hand, all-five-senses details for future stories.

By trying new things and risking discomfort, we become like our heroines: brave, intelligent, open to new possibilities, willing to get out of our sweatpants (even if some of our heroines fight it).

Characters and ideas are everywhere out in the world. Here are a few suggested field trips:

  • Museums
  • Concerts
  • Outdoor movies
  • Picnics
  • Zoo
  • Airports
  • Ferries and trains
  • Your neighbor’s party
  • One of those crazy, full-of-mud obstacle courses
    P4200217 (640x480)

    Me in the Rugged Maniac in 2014. Yes, that’s barbed wire over my head!

  • Roller rink
  • On a Segway tour of your city
  • Dog park
  • Paddle board class
  • Color run/5K
  • Pottery class
  • Charity fundraiser
  • Chaperoning a high school dance
  • Animal adoption event
  • Guitar lesson
  • Language classes

While you are trying these new experiences, remember to be observant. Pay attention to what people do with their hands, eyebrows, postures, etc. when they are frustrated or happy or sad. Not every guy runs his fingers through his hair when he’s upset. What else can we say about a person’s eyebrows when they are angry? Or their eyes when they are surprised? Twirling hair, tugging at a bra strap, snapping gum, scratching the space between their shoulder blades on the corner of a building…nonverbal

There are thousands of opportunities for you as a writer, for you as a heroine, to experience life and discover the details that will color in your scenes with authentic, first-hand descriptions. Bland will give way to writing that transports your readers to your world, sucking them into your books and the lives of your characters.

So kick off those bunny slippers, throw on a coat and get out there in the world. Sniff, touch, see, listen, and taste. Be a heroine, and then write what you know.explore

Have you ever gone anywhere to soak in details for your writing?

Death & Then There Was Rebirth

I’ve come to the conclusion that death mirrors birth. From the moment we’re conceived, we fight to grow into a whole person.  Then we take enter into a new world where again we strive to develop into a unique person. At some point, we struggle again, leaving behind love ones, and again take passage into another realm.  Based on the trend, one thing we can count on in the next kingdom  there will a promise of hope.

I lost my husband, my love, my best friend. Then I lost the first man to hold my heart, my father. Then my beloved dog whose coat held many tears, and finally my pretty kitty of nineteen years. All of them in a short span of a year and a few months. A few other family members and friends have followed since.

When you lose someone that held your heart, it’s like you’re the only one in the history of the world that has ever felt the pangs of the deepest, darkest, totally empty, endless freefall of grief. All desires except one leave your soul. Then, like the moment of conception, there is the tiniest spark of self-preservation that makes you look up and take a step forward to fulfilling your purpose in the world. Taking those steps and allowing yourself to fall and get back up takes strength and courage.

We all are unique. We all have strengths, weakness and gifts. For some reason, this community has been given the talent of putting words to page, words that will affect others and perhaps change the course of their lives.

Over the years, I’ve heard many of you state that “not to be able to write would be like taking away your ability to breathe.” Fitting words. It doesn’t matter how you write or what you write or whether anyone ever will see your words. What matters is that you’re striving to be the accomplished, awesome unique person that you’re meant to be.

If you or someone you know is going through the stages of mourning, I offer one thing that helped me. I wrote letters to my love ones. I journaled my thoughts. I wrote poems. They are my private works filled with hate, pain and love, and the world will not ever see them.

I’m not the over-achiever that I had been several years ago, wanting to write several books a year. I’ve become the writer who wants to write for me first and the world second. And that is okay.  I hope the books I release will be enjoyed by fans, and blogs like this one will help others. I’m feeling accomplished, and that is good.


Writing Fearless: A Christmas Tale

I admit it. I am guilty of studying tropes and trends, because I know that readers like them and my publisher expects them. And also, being familiar with tropes and trends is helpful.

But early this year, when my publisher asked me to write yet another Christmas novella for the 2015 holiday season, I was less than enthused. Honestly, if I had to write another:



a) Retelling of the Gift of the Magi (I did that in my novella I’ll be Home for Christmas),






b) Take on Scrooge (I did that in my book Last Chance Christmas), or







c) Baby in a barn story (I did that in my novella Silent Night)




I. Would. Scream.

(Did I mention that the publisher made this suggestion in January, right after I was thoroughly Christmass-ed-out?)

I expressed these negative feelings to my husband on our daily commute. I railed against Dickens for having written the quintessential Christmas Novella of all times. I ranted about Scrooge — about how he is such a powerful icon of the season that he’s everywhere, in every story you read.  I mean, even It’s a Wonderful Life and How the Grinch Stole Christmas have Scrooge archetypes messing up Christmas for everyone.

“Not gonna do it,” I said.

Then my husband said, “What if you wrote a story where Tiny Tim was all grown up?”

And I said, “Okay, if Tiny Tim is a grown up, who’s Scrooge? A little kid?”

And he said nothing.

Did I mention that he’s a whiz at knowing when to shut up?

The next morning, this idea of turning Cindy Lou Who into a tiny-sized Grinch was still rattling around in my head. So I Googled the words, “Kids who hate Christmas.”

I got the usual listing of posts about greedy kids, even greedier grownups, and people ungraciously mouthing off about Christmas gifts they hated. But once I got past all that crap I stumbled across several heartbreaking and utterly inspiring articles and blog posts about and by parents whose children either have autism or who are on the Asperger’s spectrum.

For many of those special kids, Christmas is a nightmare. For their parents, Christmas can be a difficult obstacle course that requires love and patience and even more love.

A story began to form in my mind, but I didn’t think I was courageous enough to write it. The courageous ones are the parents of these special kids, and I didn’t feel as if I had any authority to write about them.

I put the story idea aside. I worked on a dozen other ideas all of which had some well-worn Christmas trope that failed to inspire. I dithered. I procrastinated. I complained.

And then I sent an email to my BFF and critique buddy, Caroline Bradley, who just happens to be the mom of a child on the Asperger’s spectrum. I didn’t contact Caroline to seek information about Asperger’s– not at first. At first it was just to have a conversation about whether I was brave enough to take on this topic.

Bless her, Caroline was more than enthusiastic. She told me that if the story had captured my heart, then it shouldn’t matter whether I was qualified to write it (that’s what research is for) or whether it was the usual trope (sometimes you have to stop listening to the marketing people). In short, she told me to be brave, write fearless, and tell a good story – words I hope to continue to live by.

I started by asking a lot of questions of a lot of parents and siblings of autistic kids.  I did my research. And then something magical happened, when I had finally stopped telling myself that this story was beyond me, I discovered that it was actually inside me.

The story arrived fully formed in a matter of days and needed almost no revision.

This experience has convinced me that when I dig deep, stretch my boundaries, and tell a story from deep inside my heart, the writing is never a problem. It’s when I back away from the hard stuff – that’s when the writing becomes impossible.

midnight clear coverA Midnight Clear, a Christmas story of a single mom with a special needs child goes on sale today. Here’s an excerpt.

So, tell me, have you ever had a story present itself that you thought you weren’t brave enough to write? Did you write it? What happened? Was it hard or did it turn out to be easy?

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