Posts tagged with: short stories
Posted by Autumn Jordon Feb 6 2017, 12:02 am in advice for writers, Autumn Jordon, Ava Blackstone, craft, jeannie lin, Marketing, Rita Henuber, short stories, Vivi Andrews, Writer's Toolbox
Writing a great short story used to be the training ground for writers. Hemingway started his career by writing them, as did Stephen King, and many renown others.
For many years, the appetite for short stories, nearly disappeared, cutting the number of magazines that included them substantially, and leaving only classic short stories on the book shelves. However, I believe the tide is changing among today’s readers. Their time is limited and there are times when they just want something worthy and short while they’re waiting in a doctor’s office or school parking lot.
Also, many are now reading on their phones, and reading a short story is more feasible on the small device.
This month, I dove into the short market with a novelette titled Perfect Moments. It released on February first. I was nervous about writing it because shorts have a totally different writing style than a full length novel. It was a learning experience, but after receiving emails from readers requesting to know whether Elizabeth and Bob Kincaid (from Perfect) made it home from their overseas duty, I decided to give Elizabeth and Bob their story. Their short.
Another reason I decided to try my hand at writing a short story was because today’s reader wants more product from an author, and quicker. I’m comfortable writing a full length novel in a year, sometimes nine months. But to write quicker, I know the quality of my work would decline. I want to continue to improve my craft, not hinder it. So to feed my fans cravings, writing short stories might be the way to go.
I asked my Ruby Sisters their thoughts on writing short stories.
Rita Henuber said she wrote her short stories because, “I have many stories bumping around inside my skull. Characters screaming at me to tell their story. Some are absolutely not full length novel material. All but one in my collection of short stories began with an experience of mine. I had to write them.”
And Jeannie Lyn said, “I actually LOVE shorts and think they’re a great way to pack a punch in a short amount of space as well as introduce writers to your voice. The last short story that I wrote was meant to be an introduction to my steampunk world for new readers and a little bonus for existing readers.”
Ruby sister Ava Blackstone stated she wrote a short after reading an article in her RWA chapter’s newsletter about writing for Woman’s World. “I decided to give it a try. I found that short stories were great palate cleansers when I was sick of my main WIP. I also liked the freedom to experiment with different writing styles without worrying that I was wasting months on something that might not work.”
And Vivi Andrews stated, “I’ve always written short stories for anthologies, usually with open submission calls that provided the opportunity to get my writing in front of more readers. My little gateway stories to lure readers into my world. 🙂 This spring I’ll be participating in the 2nd RWA Anthology.”
I then asked the sisters if they found writing shorts difficult? I know I found it challenging not to add more conflict, more points of view, more of everything.
Vivi said, “Actually, I don’t find them difficult at all. I was nervous initially about stepping out of my comfort zone, but I wound up loving the opportunity to tell more compact romances.”
Rita stated, “Not at all. I enjoyed writing the shorts and the side benefit of stopping those people in my head screaming. I view shorts as a moment in time. A snapshot event giving the reader something to ponder.”
Jeannie started writing shorts before she wrote novels. “I have a totally different mindset when I switch back to writing shorts. They’re not just shorter novel storylines — the way I plot and present a short story is entirely different than what I do in a novel.”
Ava said, “Writing that first short story definitely required a paradigm shift. I had to come up with a much smaller-scale conflict than I was used to writing so that I could wrap things up realistically in 800 words. It helped me to think about it as though I was writing a scene instead of a novel. So then it was just a matter of coming up with a compelling scene that could stand on its own.”
So why write shorts? I’d heard shorts help with sales on other books, especially if their part of a series. Perfect Moments just released, so I don’t have a track record to share, so again I questioned my sisters who had published short stories.
Jeannie stated, “I actually have found it helpful bringing in new readers with shorts. Since my settings and worlds are not so mainstream, I think readers find shorts an easy way to get a feel for me without having to commit to a novel. Short stories with direct tie-ins and characters from other series are the best way to go in terms of hooking readership. Teaming up with other authors in anthologies is a also a great strategy for getting that first look.”
Ava had a different use for her short story. “I give it away to readers who sign up for my mailing list, and it has worked great as an incentive to drive signups. I’m planning to write another short to go along with my next Ava Blackstone book.”
If you’re considering writing a short story, I have some advice.
- Read short stories. There are many; The International Thriller Writers have released collections titled Face Off. And, I know the Mystery Writers also release an annual collection. Then you have classics like William Faulkner’s That Evening Sun.
- Pick your story’s moment or moments that really matter and write about them.
- Stay with one main character.
- Write more words than you need and then pick the words that show don’t tell, show character’s change, and that moves the story forward.
- Go through the same editing steps as you would for a novel.
My sisters also offered advice or suggestions?
Rita said, “I go by what I love to read. IMO a short story is for a reader’s experience. I will also say I think there is a difference between what is considered a short story to a novella. With a novella, because of its larger word count, I expect story structure, GMC, story resolution, the whole enchilada. Shorter stories can certainly have all that good stuff but I think of them as a bite of the enchilada not the whole thing.
Vivi offered this advice, “I didn’t take any online courses or read any books on the subject. I will strongly recommend that anyone looking to write short consider the kind of conflicts that can be resolved quickly. If you give your characters more than they can reasonably solve in a short format, you’re going to have some very grumpy readers.”
Jeannie recommended, “Rather than craft books (which I normally love), the best way to learn for shorts is to read how others do it. I think there’s MORE of an art to writing short than writing a novel. The good thing is that they’re short. 🙂
Some authors I love: Ray Bradbury (for voice, tone, memorable setup and hook). If you can find it, read “A Laurel and Hardy Love Affair”. Edgar Allen Poe (check out his word choice and how effective his opening lines are)
For romance, these authors’ shorts are actually novellas, but they establish character and emotional stakes in a relatively short amount of time. Courtney Milan – The depth of characterization is amazing. They feel as emotionally complete as full novels. And Ruthie Knox – She sets up emotional tension wonderfully between hero and heroine”
Thank you, sisters for sharing your experiences in the short story market.
Please ask any questions that you might have and we’ll try to answer them for you.
Autumn Jordon is an award-winning author of romantic suspense/thrillers and contemporary romance. Join her newsletter at www.autumnjordon.com. And don’t forget to check out Perfect Moments.
Ava Blackstone is a winner and two-time finalist in the Romance Writers of America’s Golden Heart® contest and has five short romance stories published in Woman’s World magazine. She is currently hard at work on the next contemporary romance in her Voretti Family series. You can find her on the web at: http://avablackstone.com PRETTY IN INK
Jeannie Lin is known for writing groundbreaking historical romances set in Tang Dynasty China starting with her Golden Heart award-winning debut, Butterfly Swords. Her Chinese historicals have received multiple awards and starred reviews in Publishers Weekly and Library Journal. SILK, SWORDS, AND SURRENDAR
Rita Henuber; I’ve always had stories in me and now I’m sharing them. I married a Marine, a man I’d known since I was fourteen. I’m fortunate to have lived many places and traveled to the states and countries I didn’t live. I moved back to the barrier island in Florida where I grew up and now spend time writing, weaving my experiences into my stories. My first books have heroes and heroines in the military or government service. But, I’ve started on a new series of books with collections of short stories. LET ME TELL YOU A STORY
Vivi Andrews is a Golden Heart winner & 2-Time RITA finalist. As Lizzie Shane she writes contemporary romance with a pop culture twist, and as Vivi Andrews she writes paranormal romance. ALWAYS A BRIDESMAID
Posted by Ava Blackstone Apr 18 2016, 12:01 am in Ava Blackstone, ideas, inspiration, short stories
People often ask writers where we get our ideas. Mine come from anywhere and everywhere—a dream, a snippet of conversation overheard in a bar, a walk with my husband. After that initial burst of inspiration, I build on the idea. Expand and improve it as only a romance writer can, making it more. More exciting. More funny. More romantic.
My first published work was a short story in Woman’s World magazine. I’d decided to try my hand at short stories, and when I sat down to brainstorm, the first thing to come into my head was a decidedly unromantic incident from my college days, in which I’d managed to get into a car with a strange guy because I thought he was my ex-boyfriend.
See, my sophomore year in college, I had dated this guy, Troy, who drove a blue Toyota Camry (name, make, and model changed to protect the innocent). Things didn’t work out, and we went our separate ways, but every time I saw a blue Camry, I’d find myself looking closely to see if the driver was Troy. This got to be pretty annoying, because there were a lot of blue Camrys on the road.
One day, as I was walking home from class, I saw yet another blue Camry. I did my usual check. The car was going pretty fast, but the driver looked like he could be Troy–same color and length hair, eyes disguised by sunglasses. As the car passed me, I turned around to see if the sticker Troy had on his car was on the bumper. It wasn’t.
Yet another blue Camry that wasn’t Troy’s, I thought, and continued on my way.
A minute later, the Camry pulled up next to me. “Want a ride?” the driver asked.
Oh, I thought. It was Troy after all. Why else would the driver have turned around to offer me a ride?
I was so convinced it was my ex that I was in the car with the door closed and my seatbelt fastened before I realized that the reason Troy looked so different was because he wasn’t, in fact, Troy. He was a complete stranger who had stopped to give me a ride because he thought I’d been checking him out.
Let me stop right here to explain something–I am not an adventurous person. Take the least adventurous person you know, and then imagine someone way less adventurous. That’s me. I’m the kind of person who doesn’t even make eye contact with strangers, much less get in their cars.
Cue total freak out. I was certain my life was over. I was speeding down the road with some random guy. He could be a rapist. He could be a murderer.
But, as it turned out, he was a perfectly nice person who drove me straight to my apartment. As he dropped me off, he said, “Well, at least you got a ride home out of it.”
But, actually, I got much more, because as I thought back over the incident, my romance-writer brain kicked into gear, massaging the chain of events and the characters until I had something totally different. Something funny and romantic. Thus was born my first Woman’s World short story, in which the heroine thinks she’s getting into her brother’s car, but is actually getting into the car of the hot neighbor she had been crushing on. If you want to see how the two versions of the story differ (in just about every way possible), you can read the fictional version at my website.
And that’s one of my favorite things about being a writer. I can take a terrible real-life experience and reimagine it in a totally different, infinitely more satisfying way.
What’s your favorite part about being a writer? Are there any crazy real-life stories you’ve fictionalized?
Posted by Amanda Brice Nov 27 2012, 12:01 am in amanda brice, charity, Ruby Release, Ruby Release Day, self-publishing, short stories, short story collection
We all have them — the metaphorical “books under the bed” that are better left where they are, to gather a patina of dust and cobwebs and never see the light of day. These things are a mess. Often it’s the first book you ever wrote, before you learned the finer points of plot and characterization.
My first manuscript is like that. It made the contest rounds (and even won the Jasmine back in 2006) under a number of titles (my favorite title was From Miss Bitch to Mrs. Rich, although it mostly finaled under the title Looking 4 Love) but, well, let’s just say that when my husband was trying to tell me to self-publish it earlier this year — “But you’ve already done all the work! Why not?” — I never took his suggestion seriously. I know I’m not the world’s best housekeeper (understatement of the year), but there is no amount of polishing that could make that book something I’d want to release today. It served its purposes for what it was, my learning book. But it needs to stay balled up under the farthest corner of the bed … my preferred way of quickly cleaning up and making the rest of the room look quasi-presentable.
Okay, so let’s leave the books-under-the-bed, well, under the bed (or on the hard drive) and turn our attention to a different piece of furniture.
I’m sure you’ve heard the old cliche about digging for spare change between your seat cushions. You may even have done it yourself once or twice (or a hundred times). But this can also be applied to publishing.
If a book under the bed is a hot mess, then the spare change in your seat cushions are the stories that are actually pretty good, but you’re not doing anything with them at the moment for whatever reason. Maybe it got great editorial — or contest –feedback, but didn’t sell. Or maybe it did sell, but it went out of print and you got the rights back. Either way, it’s just sitting on your hard drive at the moment, doing nothing for you.
Behold, my spare change, which just released today exclusively for the Kindle!
I had a few contemporary romance short stories just sitting on my hard drive, taking up space. Three of them (“She’s Got Legs” — which had received an 88 from snarky hard-ass Mrs. Giggles; “Love @ First Site”; and “Dancing Cheek to Cheek”) had been published before, but one (“Birthday Gifts”) is brand new. I’d always liked these stories, but I figured they were too short to really do anything with them.
But then it hit me — why not bundle them as a super-short single-author collection? And yes, I do mean short. The entire ebook of 4 stories is around 15,000 words total. But I think 99 cents is a fair price for around 50 pages.
NY Times bestselling author Angie Fox calls the collection “sweet, sexy and laugh-out-loud funny!”
(Did I mention this one isn’t for teens?)
Jana DeLeon says “Amanda Brice has a voice that easily captures the self-deprecating humor and strength that so many young women have as they attempt to find their place in the world and the man of their heart.”
NY Times bestselling author Christie Craig describes them as “short reads that aren’t short on entertainment. Sassy humor and sigh-worthy. Amanda Brice delivers.”
And NY Times bestselling author Gemma Halliday says “If you’re in the mood for a sweet escape this holiday season, Amanda’s Brice’s Short and Sweet is just the ticket! I loved all the stories in this collection. And anyone who is a ‘White Christmas’ fan will adore ‘Dancing Cheek to Cheek’. The best things don’t only happen when you’re dancing… they also happen when you’re reading an Amanda Brice novel!”
Not bad for spare change.
And from now until New Year’s, it’s spare change for a good cause. A Jersey Girl at heart, I’ll be donating 100% of my author royalties from Short & Sweet: Four Fun & Flirty Tales to relief efforts for the survivors of Hurricane Sandy and to rebuild the shore.
I’ve also been inspired to dig out my first Golden Heart finalist, Party Like It’s 1899, from between the cushions and get it ready for publication. This one is a little dustier than the short stories — and I have to squeeze in the revisions around an already hectic writing schedule — so it’ll take longer to get it ready, but I’m aiming for Fall 2013. (And if it’s ready before then, say spring or summer, then bonus!) Here’s a sneak peak at the cover art.
So what about you? Do you have any metaphorical spare change hidden in your cushions? Have you considered digging out an old story and giving it new life through self-publishing? Tell us!
Posted by Joan Swan Aug 3 2011, 1:00 am in sherry isaac, short stories, short story collection, storyteller, tight writing, writing craft, writing short stories
I first met Sherry Isaac at Margie Lawson’s Immersion Master Class where 7 writers were corralled at Margie’s mountside home in Colorado for a week of 10+ hour days of writing and critiquing and learning. It was an amazing experience and I recommend Margie’s classes to everyone! I hope to find an Immersion Master Class II to attend soon.
Within a few hours of meeting Sherry I adored her. She is one of those easy-going, fun-loving, warm individuals who can make you feel like you’ve known them forever. Within a day of meeting her I was awed by the breadth of her writing ability.
Sherry is an amazing author and an even better friend. Her first collection of shorts, STORYTELLER, debuted last month, July 2011.
THE LONG & SHORT OF THE SHORT & SWEET
My introduction to short stories was typical: high school English. No, I will not tell you how long ago that was, except to say that it wasn’t so long ago that I can’t remember my inaugural short, The Tell-Tale Heart by Edgar Allan Poe.
Poe’s beat-by-beat unravelling of a guilty man’s mind is still my favorite. And what kind of a Canadian would I be if I’d never read Margaret Atwood or Alice Munro? (Gasp!)
Not once did I ever think I’d write short stories.
Novels were my love. When I admitted out loud that I was a writer and gave in to the craft, novels were my goal.
Lots and lots and lots of novels. Novels were what I read, novels were what I loved. Novels! I didn’t read short stories, not by choice anyway (exception: Poe, above). If I didn’t read them, why would I write them? First of all, my experience was limited–a twist on the old, write what you know advice. Second, short stories were, well, short.
For someone like me, who doesn’t know when to shut up, short story writing isn’t a very appealing venue.
Plus, I like to ramble.
Tom Hank’s character in A League of Their Own said ‘There’s no crying in baseball’.
And there is no rambling in short stories.
Because there’s no room.
Obvious, I know, but there you have it. Short stories are, by definition, short. And as Brian Henry, Editor and Creative Writing instructor teaches, “the length imposes certain restrictions”.
Shorter story, lesser word count. Easy peasy, right?
There is a quote, several versions, actually, attributed to Voltaire, Mark Twain and Blaise Pascal. “I didn’t have time to write a short letter so I’ve written a long one instead.”
Ask any advertising executive. Telling a full and compelling story in few words is a challenge.
If a novel is a cross-country trip on The Partridge Family bus, then a short story is a hop to the next town in a Mini Cooper. A short story, like a novel, has a starting point, a destination, and if you’re a plotter rather than a pantster, a map in the glovebox telling you how to get there–or a destination plugged into the GPS.
When the venue for your tale is a short story, you don’t have a lot of time. Or a lot of trunk space. You can’t pack all your favorite plots and subplots. One change of underwear, one clean shirt, one crisp dollar bill for the toll.
You can’t stop along the way to pick up friends. Extra characters complicate things. They can’t help it, that’s what they do. The “aim” of a short story is “to achieve”–once again I channel Brian Henry–”a single, concentrated effect”.
Throw a few friends in the Cooper and someone will want to drive. Someone will want to stop for souvenirs, another will need a bathroom break. The guy in the back seat will get queasy and ask you to pull over. All these complications are great in a novel but in a short story they take up space. Space you don’t have.
Just as you can’t stop and pick up friends on the way to your destination, you can’t stop for Kodak moments or take the scenic route. Grand descriptions take up word count. The prose has to be tight. Get on the highway. Get in the fast lane. Get to the end in 10,000 words, 5,000 words, 3,000 words. Or less.
One plot, often one character, not a lot of description to slow the story down. All of this means focus.
Short word count, short description, short list of characters. What else?
In novels, the author may slow down time in order to accommodate or enrich all of the layers in a story. A couple from different cultures need to fall in love, and that doesn’t happen over night. An ordinary housewife vows to save the world from rising gas prices, but first she must overcome her fear public transit. Who amongst us hasn’t rounded the corner on time only to watch the black plume of exhaust because the bus showed up early? There won’t be another #12 to the city for 17 more minutes.
To avoid these pitfalls in a short story, it’s best to keep the plot’s time frame short as well as focused.
Clamp down on the description, the build up, the gas. Does this mean a short story should be fast paced? Not at all, and most are not.
Short stories tend to be character driven. A choice, a trial, a internal change the character needs to make.
One plot, one character, one turning point.
Tell your short story right, and you just might be on the short list for literary greatness.
Winner of The Alice Munro Short Story Award, Sherry Isaac’s tales of life, love and forgiveness that transcend all things, including the grave, appear online and in print. Her first collection of shorts, Storyteller, debuts July 2011. For more information, or to order an autographed copy, click HERE.