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Posts tagged with: Sagging Middles

I WORKED ON MY MIDDLE IN DIAPERS

We’re three weeks into the Winter Writing Fest, and whether you’re writing, plotting, or editing your middle could be a bit dull.
Let me tell you what I know about story middles.

They can be expanded into a huge massive saga and not hold one ounce of story muscle. Or, they can be elusive and cause the author to stare at the muse-sucking blinking cursor. Yet, they can be so wonderfully written and with every page the reader is drawn into the world you’ve built, and slowly, they become emotionally attached to your characters.

Writing the middle can suck, if you don’t know where your story is headed.

I’m a devoted panster. (Right hand held over my heart) I have been since the day I picked up a Crayola crayon and put it to my Bugs Bunny coloring book, my mother’s grocery list, the wall. (Yes, Bill Gates and I were wearing cloth diapers then.) I made up my stories as I went, drawing pictures and telling my story to my younger sister, who couldn’t talk yet. I’ve tried over the last ten years to get serious about plotting ahead, but in the end my story goes off in a totally new direction (damn characters). However, I have learned I MUST know several things before I start a new story, which helps my middle from becoming boring. What are they? Read on to learn how things work in my mind.

First, I need to learn my characters’ dreams and what drives them to go after those aspirations. (Everyone fantasies about obtaining something but not everyone is willing to do the hard work to succeed.) In order to learn my character’s most intimate desire, I dig deep into my hero’s, heroine’s and my antagonist’s hearts.

Why the villain’s? Because his/her desires are going to conflict with the hero’s or heroine’s dreams.

Okay, it’s a recognized fact that everyone wants love. So, if you said love, you’re grabbing the easy answer. You need to dig deeper. What kind of love and love for what. Love has many forms. The heart-wrenching or warming love between to people. They love for something bigger than any of us: God, nature, the universe. The love of money or power over others. Or the love we feel when we do something; helping someone, drugs, alcohol, creating something, achieving something no one else ever has, or the moment your character sees life slip away. What does you character love? And what are they willing to do to feel that love.

Next, I know the inciting incident that will set my hero on a path. That is my beginning. I’m going to use the movie Apollo 13, since many have seen the movie, as an example. (This where your character is an astronaut in the line-up for a flight into space in years to come. Then the guy in front of him, breaks his leg and suddenly it’s his time. His love is to walk on the moon just became real.)

Then, I decide what is going to make my hero change. (An explosion causes severe damage to Apollo.) At this point Jim Lovell, realizes what is more important to him then walking on the moon; His wife, children, family and friends back on Earth. And the lives of his crew.
Finally, I decide how my story ends. Of course, I always want an HEA. If you haven’t seen Apollo 13, I’m not going to spoil it for you.

Okay, now how do you keep your middle from sagging. ( I’m keeping it simple.)

In the first half of your middle, you write scenes that will show case your heroines trek to achieve his dreams. He will do anything to feel that power of love. He will also need to come up against challenges and make decisions that don’t sit well with him, because they go against his moral compass. He does them out of selfish love. Jim Lovell makes such a decision concerning his best friend during training.

In the second half of your middle, you’ll write scenes showcasing how heroic your hero really is. He now has a clear vision of who he truly is and what he really wants. You, the writer, should throw everything you can at him to make him fail. The universe threw everything at Jim Lovell, his crew, and the men and women of NASA, until the final black moment. (Again no spoiler.)

From there, it’s happy ending for me.

Okay recap:
1) Know your characters.
2) What is the incident that starts it all?
3) Write scenes where hero works toward achieving his dream. Make it a roller coaster ride, with scenes of achievement and scenes of conflict and defeat.)
4) What is the incident that occurs which makes your hero realize his true self, or love?
5) Write scenes showing him/her as the hero working toward his goal. Challenge him until the moment he triumphs. Write lines that personifies your character. (“Go ahead. Make my day.” No need to tell you who spoke that line.)
6) Write a satisfying ending.

Much of what I’ve said here today comes from the teachings of Michael Hauge. I took his workshop last year and it was like a light bulb went off over my head. I recapped my workshop notes here:

What I Learned From Michael Hauge – PART 1

And here:

What I Learned From Michael Hauge Part 2

Hope Ramsey also did a wonderful blog on middles here:
http://www.rubyslipperedsisterhood.com/writing-to-the-middle/

 

I think it’s so important for writers at any level to read different author’s POV on craft subjects. What clicks for me, might not click for you. And reading about craft helps us better our skills. So, has anyone learned about middles from another source?

 

 

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