Has anyone every asked you if you’re afraid of having someone steal your story? I have been asked this very question. Several times.
At first, I used to laugh and say, “Good luck to them. I sure as hell couldn’t sell it.”
Now, I just explain that I could be hit by lightning TWICE before I could steal and idea and have it turn out even remotely similar to the way the same story would evolve by the hand of a different writer. And vice verse.
Reality check: Even if a writer WANTED to steal another writer’s idea (which is unfathomable when every writer knows–a.k.a. hopes–in their heart of hearts that their own ideas are superior–jiganormous eye roll), the end result would never be the same, not even if the thief had every last anal note of a character’s personality and each and every well-calculated plot thread.
I recently picked up the hobby of reading tarot cards as a creative writing device. (No, I have not wandered off on a tangent. Yes, I swear this relates.) To make a very long story short (which means skipping the entire explanation of the intro sentence), I finished a few private lessons and started with a group of women new to the, um, er, craft for lack of a better word.
Our teacher had us do an excercise to get to know the cards better. We each took one card from the deck and shared various activities with the others at the table: described the card, imagined emotions of a person in the picture, told a mini story of the scene. After we had all done it with different cards, one of the students said, “I wonder what would happen if we all switched cards and did the same thing to see how different people interpret the same card.”
We loved the idea and played along.
To start out with, we already knew the “formal” interpretation of the card and also knew how the other student had interpreted that card.
The result: a completely different and very personal interpretation of each card by each person. Even more wildly varied than I had expected.
This incident reaffirmed my belief that story and all it’s components is shaped drastically and uniquely by the filter through which the writer (or in the tarot case, the reader) saw the information (or in the writer’s case, the story idea).
In a blog post I wrote some time ago, one I may revisit for a fresh 3-part post here, I spoke of filters in developing deep character.
“Each of us sees our world differently based on our personality, our past, our peers, our experiences, our hopes, our dreams, our fears. The reasons for our unique perspectives are as endless as the quirks of our likes and dislikes. When developing your characters, knowing where they’ve been and how it has shaped them into individuals is imperative in creating a unique and believable cast.” You can read the entire post at my website.
Using the example thread of tarot, another woman and I studied the same card: the Queen of Cups. She saw a Queen surrounded in all her glory, reveling in all she’d attained as she stared at a golden chalice with reverence, contentment and bliss.
In the same card, I saw a woman who had worked and worked to attain everything she had ever wanted, the symbol of which was the golden chalise in her hands. I saw the Queen as contemplating, almost disappointed as she held the symbol of all she’d worked so hard for and wondered, “Is this it? Is this all there is?”
IMHUO (In my humble unpublished opinion) anyone worried about idea or story thievery needs to cultivate security in their unique voice, what only they can bring to the page. Because when it’s all said and done, we all know there are only so many original plots. Making your story unique has everything to do with who you are, where you’ve been, what you need or want to say. It’s all in your own unique perception of the possibilities of a story or character.
Throw your thoughts into the mix. Have you ever had someone steal a story idea? Did it ever amount to anything? Did it ever turn out even close to the way you had (or would have) written it? Have you had experiences where two different people see the exact same thing, but visualize it uniquely based on their own personal experiences?
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Hi, Joan! How interesting that you’ve taken up tarot reading. I hope this isn’t a silly question, but do you read your characters’ cards?
I’m pretty sure no-one’s ever deliberately stolen my story ideas.
However, my heart always sinks when I read or hear about a published book that’s way too similar in plot to my finished mss. It’s happened a few times! But like you say, there are only so many original plots. Take the secret baby plot. How many of those have been published? Are they all the same? No, they’re distinguished by the authors’ voices and the characters.
>> However, my heart always sinks when I read or hear about a published book that’s way too similar in plot to my finished mss.
I just had that happen for the first time. And this wasn’t just a published book, it was a published book by a NY Times bestselling author.
Upon further examination, her book really wasn’t THAT much like mine. But that moment when I first skimmed the blurb of her book and thought, “uh oh” was not fun.
Ugh, I hear you, Shoshana. Two months ago I had the same sinking feeling after picking up a book by a midlist author I’d always meant to read but just hadn’t gotten to yet. While our plots are completely different, she used the same name as I had to refer to her paranormal society’s governing council. Damn it.
One more thing to handle in revisions.
Ah, but as I’m sure you know, that change is just a few clicks away! Find-and-replace is one of my dearest friends.
Oh, yeah. Forgot to mention that her heroine had the same name as mine (though spelled slightly differently).
Though I guess I shouldn’t be surprised because both the first and middle names that I picked for my son ended up on the top five most popular names list this year.
Eeek, Tamara!
I bet not, Shoshana. Like you said, it seemed like yours on the surface, but when you got into it, the differences came clear. They have to, because no one can write exactly like someone else. Not, at least, if they are writing from their heart.
Recently one of chaptermates stated she just read a new release from HQ with the same plot as her 2010 GH entry. She was so upset, because what if she finals and has to pitch her book to the editor who bought the other book. The editor is not going to want to see her MS. I told her the same thing you stated. Voice and characters will make yours different. I also told her to look hard at her manuscript and find the nuggets that make it different and empathize those elements when pitching.
Totally! Like, the last thing Harlequin wants is another secret baby story! (insert sarcastic tone there)
Oh, wait. They *do* want more secret baby stories. I think they’re the very last publisher I’d worry about when it came to story-idea-stealing.
They are, however, rather interested in seeing extraordinarily fresh twists on those long-loved plots, which is even harder than it looks!
Good advice, Autumn. Those nuggets are there — no doubt.
I know what you mean about the wind being taken out of your sails when you see a book with similarities. Even if it’s the smallest details, your writer’s brain blows it up so it looks absolutely huge!
Yes, Jeannie, I’ve had that bottoming out feeling in my gut before. Not fun.
Hi Vanessa,
I will read my characters cards. It’s the reason I picked up the tarot…for creativity in my writing. I’m still learning for now.