A Noun is a Noun

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We all know that a noun is the subject of a sentence and used to name a person, place or thing. And, in any line, the noun holds the main meaning. But nouns also have another function. They make the picture a writer desires to covey vivid.  Let’s look at a few examples where I’ve changed up the nouns.

1) The boat sailed through the port’s gate.

2) The ship sailed through the port’s gate.

3) The yacht sailed through the port’s gate.

The first sentence is bland. The reader could picture either a two-man dingy or a cruise liner. The primary noun is simply too vague.

The second sentence is a little better. We have a better idea of the vessel’s size.

The third sentence however, shows us even more.  Not only do we know we’re not dealing with a rowboat, we see a beautiful cruiser—a ship owned by someone of wealth. Change the noun yacht to tanker and what do you see? A totally different picture, right?

Here’s another example:

1) A fire blazed through the building.

2) A fire blazed through the high-rise.

3) A fire blazed through the Empire State building.

Again, I much better picture is given to the reader.

Picking the right noun can also show the reader something about your character.

1) Carla’s car sped down the street, without her.

2) Carla’s Porsche sped down the street, without her.

3) Carla’s bucket-of-bolts sped down the street, without her.

1) Jabe pulled his hat low on his head.

2) Jabe pulled his Stetson low on his head.

3) Jabe pulled his Boulder low on his head.

Or what your character might be doing:

Zinna  grabbed her work.

Zinna grabbed her computer.

Zinna grabbed her tennis racket.

These were very simple examples.  Let’s take a look at some of my favorite authors and how their nouns choices paint a vivid picture.

Brenda Novak:  Every Waking Moment.

The patrolman’s boots crunched on the gravel shoulder as he approached. In her rear view mirror, she could see the pant legs of his taupe uniform, his black utility belt and holstered gun, and his badge, which glinted in the bright light of early afternoon.

Brenda  could have simply  written, Emma saw the uniformed patrolman approach her driver’s door.  But the nouns she added brought so much more details to our mind’s eye.  Pant’s leg. Utility belt. Holstered gun. Badge. light. Afternoon.

Caridad Pineiro; Secret Agent Reunion

The thick lather felt heavy and luxurious on her fingers and his hair. She massaged his scalp and he sighed with pleasure.

Whew! Lol. Candrid didn’t just write, She shampooed his hair and he sigh. The line doesn’t have the same effect as Cardid’s, does it is it?I’m glad she changed up.

Joy Nash; A Little Light Magic

She pictured his bedroom closet: a long, boring parade of white and tan.

In this example, Joy is telling us about the hero’s wardrobe.  She doesn’t just say, All she ever saw him wear was white shirts and tan pants, instead  Joy gives us a visual we can sink our teeth into using the right nouns.

Autumn Jordon;Obsessed By Wildfire

Mini dust tornados swirled off the tires of Isobel Trinidad’s seen-better-days Chevy pickup.

What do you think? Did I change up the nouns?

Do you have some examples from either your favorite author’s work or your own work to share?

Comments

Liz Talley says:

This is something I think about a lot because every word needs to count. Tomorrow I’m going to take a path off this subject to tall about adding punch to your writing by using figurative language and your senses.

Putting on my English teacher hat. Well, a little bit. I won’t grab a red pen or anything. :)

Exactly my point, Liz. EVERY word needs to be the best fit. I’ll definitely be back tomorrow to read your take on the subject.

Liz Talley says:

Oops. I meant “talk” not “tall”. I’m so not good at texting.

Texting? What’s that? I really do need a techo lesson.

Jeannie Lin says:

Very good point! There’s an art to the words we choose. I love it when an author surprises me with an unexpected word. It really highlights that this is not just any other book.

I’m going to rummage through some of my favorites to see if I can’t bring up some examples.

My response is below. Duh. I need an after morning, before lunch cup of chocolate.

Addison Fox says:

Jeannie-

I SO know what you mean! I find that happens in nearly every J.D. Robb installment of the IN DEATH series. There will be a passage of description or a turn of phrase that just captivates me.

Addison

Darynda Jones says:

I think about this a lot as well. Every word must count. And the unexpected is always a nice surprise. I’d like to give examples too. I’ll look when I get off work.

Awesome post, Autumn!

Looking forward to your examples.

Elise Hayes says:

From Joanna Bourne’s _The Spymaster’s Lady_, second paragraph:

“She slumped against the wall, which was of cut stone and immensely solid, as prison walls often are.”

And on the next page…

“Pain exploded. Pain that stopped her breath. She dug her fingers into the wall and held on. With such a useful stone wall to hold on to, she would not fall down.”

Bourne *didn’t* just tell us that the heroine was in prison. She made the prison walls an actor in the drama–something for the heroine to hold onto, to brace her up or give her the comfort of slumping against in the midst of a painful interrogation.

I want to write like that when I grow up :)

Bourne does an excellent job at conveying information without slapping readers on the head with an info dump. When the heroine recalls that prison walls are often solid, we know that she’s been in prison before. Right there, she gives us tantalizing backstory without fact-vomiting. We also know, very quickly, that the heroine isn’t the sort of woman who is willing to fall down — or give up — in even the most dire of circumstances, which is great character development. We know who she is, or near enough, and we can visualize her bloody fingers gripping the rough, too-familiar pitted stone of a prison wall.

LOl. Me too, Elise. Excellent example.

Darynda Jones says:

Awesome examples, Elise! Thank you!

Elisa Beatty says:

I find examples really useful, so I’ve done a little skimming around in books this morning, looking for interesting noun choices. Mostly I’m finding interesting verb and adjective choices… (First thing I checked was my much-loved copy of Patricia Gaffney’s To Love and To Cherish…she’s definitely a verb and adjective girl. Very plain nouns.)

But I did find this little passage, near the opening of Pam Rosenthal’s The Edge of Impropriety (which I’ve only started reading), in which a man fights a long-standing attraction to an unavailable woman. He thinks to himself:

“The best consolation for the loss of one’s impetuous first youth must be this connoisseur’s appreciation of the pulls and tightenings, quickened sensations, thrilling pathos of unsatisfied desire.”

connoisseur, pulls, tightenings, sensations, pathos…. interesting choices. A bit more demanding verbally than many romances (it’s not all as dense as that line!) but interesting and specific.

Of course, as soon as I pulled out Joanna Bourne’s Spymaster’s Lady, I found plenty of terrific noun choices, all in sentences that are super-vivid and readable…but, again, once I’d get started, I’d have to just start typing in the whole darn book. (Amazing! Really! Go grab a copy if you haven’t yet. It’s a self-contained master class in writing…and a rippin’ good yarn.)

Oh, I love Pam’s use of words. Very sensual. Great example of awesome word choice.

I must go sift through my own words. Thanks for the nudge.

Once you start looking you won’t stop. WINK.

Thanks, Jen. I can’t to see what you come up with.

Please share some of your own work too. All of you. WINK.

Tina Joyce says:

Oh, Autumn, great post…and wonderful examples! I really do think writing is similar to painting in many ways. The words (nouns, in this case) you choose really do mark an author’s own personal style, and they give a book so much more depth and interest. Love it! Off to check my own work.

Thanks, Tina. I’m checking my current wip too.

Remember the nouns used by a fireman are differnet than a cowboy and those are different than a CEO and so on and so on.

Liz Talley says:

Not really sure any of my nouns are particularly powerful. It actually took me a while to find something that I thought might relate (not sure if that’s a good thing). I do like that my imagery is complete – with the teeth – predatory, toothy, bite. And I like “flashbulb smile” because that’s like a fleeting, quick thing. See how y’all think I can improve the nouns?

“Touche,” he said, sliding a predatory smile her way. The guy looked good. Toothy grin, disheveled brown hair, five o’clock stubble designed to make him doubly irresistible. Any other time and Kate might bite.
But not tonight.
She gave him a flashbulb smile and turned ever so slightly to her right. Stay away, buddy.
But he was like any other man. Couldn’t read a woman’s body language.

I like Liz.

Off the top of my head. Guy, could you use wolf, gigilo, Vegas venus fly-trap

Also, you used smile grin three times. Why not drop the toothy grin since you’ve already gave a great descripition of his smile and add another characteristic. A shirt that lacked buttons all the way to his navel.

Liz Talley says:

Ooh, I like Venus Fly trap. There’s a noun that gives an image.

I really need to think more about my nouns. I use adjectives and verbs to portray mood or intent more so than nouns. It’s a very good point you bring up.

Thanks. ( Her smile rivaled her pearl necklace.)

Elisa Beatty says:

Ooh, Liz–I like your contemp voice!!

Autumn,

One of my favorite things to do and read as an author is to string words together to make unique pseudo adjectives…which you did here with seen-better-days. Love it! Love Brenda’s, too.

OMG, thanks.

Have you ever taken an author’s work, something that really made you stop and go Hmm and then tried to rework another way?

Oh, gosh Autumn, I’m always too busy trying to rework my own. Seems like one can always go back and punch up a manuscript. And your post makes me want to do another check! Thanks, Autumn.

Darynda Jones says:

Okay, I was going to peruse some books after work and give some more examples, but I ended up taking a nap. It was a splitting-headache thing. Sorry. But the examples everyone posted are just phenomenal. I wanted to send a thanks to one and all.

Off to actually get some writing done.

Laurie Kellogg says:

Great post, Autumn. I feel the same way about boring verbs. Every time I see the word WALK in a book I cringe. There are so-ooo many specific alternatives that paint a clearer picture for the reader.

Thanks, Bev, D and Laurie. :>)

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