From Superromance to Novella: Learning to write short
Posted by Liz Talley Nov 18 2013, 1:56 am in liz talley, novellas, Superromance, writing tips
Ah, writing long…I’ve become most familiar with the idea (and in my head I’m accomplished at it).When I sold my first Superromance, the word count was a doable 65K. That particular length is perfect for writing a tight single storyline romance. Secondary characters can make appearances and there can be plenty of internal and external conflict. I loved my first several Superomance books for this very reason. No need to weave a secondary plotline or allow prose to get too fanciful or wandering. Dream up a heroine, grab hold of a hero, giving them something to keep them apart and sit back and let the fireworks happen. The reader can gobble this sort of story up on a Sunday afternoon making it a satisfying length.
But then, my line upped the word count. 75K was still a good length. Now I had time to add a little more voice and have my secondary characters interact more with my primary characters. I could even introduce a secondary character’s point of view as long as I kept the conflict manageable.
And THEN there was the jump to 85K. Okay, I admit, at first I was baffled at how to write a tight story with good movement adding 10k to the plotline. I mean, 75K just worked ideally. No meandering, no drawn out throw away scenes readers hate, but I had to admit there were times I skipped over a scene I thought added some depth to the story. Now I had room to really punch up the secondary plotline, giving more a stake to these characters whose story developed just as much as the hero and heroine over the course of the book. Suddenly there was a lushness to the language, a beautiful layering of emotion that allowed the reader to connect to characters beyond the primary characters. With a larger canvas, came the challenge to paint a picture that didn’t crowd or make the story too fussy and ornamental. So here are a few tips for writing longer:
Liz’s tips for writing longer:
* add a third point of view from a character who has a stake in the action and/or can manipulate the goals and motivations of the hero or heroine.
* use deep third person point of view to create depth
* try same scene, differing point of view
* consider multiple goals for each point of view characters (this can lead to more motivation and conflict)
So after expanding my word count by 20k, I then faced a new giant…that was, well, a short giant. I got a call from Harlequin regarding writing a short story that would be featured on the Harlequin Community site. It was great exposure for readers who might not have tried one of my books but could now check me out through the free online read. I agreed. Sure, I could do that…uh, until I actually had to sit down and, ahem, do that.
It wasn’t easy.
That first short story – The Nerd Who Loved Me – is a bit like the first novel I ever wrote (except you can actually still read this one – the other is in my virtual “under the bed” file). I chafed a bit at the constraints and found injecting voice, which I felt was a hallmark of my writing, was very difficult with a tiny canvas of 11K. All of my cute scenes had to be tossed (painful!) and the GMC had to be tight, tight, tight. There wasn’t room to fully develop my characters, so I ended up feeling like what could have been a really lovely story got stifled by the shorter word count. Was the story bad? No. Was it something I wish I had a do-over on? Ehh…maybe.
I could have given up on writing short after that less than stellar experience. After all, my bread and butter fell with writing “SUPER,” so why expend any more time on writing short?
Because the “market,” aka reader, likes a shorter story. Hello! That’s why so many authors are doing novellas. Raise your hand if you’ve written a novella. Ah-ha! I knew there were a lot of you. And it’s the same reason why I’ve taken up the torch and examined ways to make a short story “pop” and give the reader a satisfying read that feels bigger than the word count indicates. Currently, in between my bigger books, I’m writing novellas and short stories, so I’m focused on honing my shorter story writing skills. Here are a few tips for making your writing short and sweet (or sexy or suspenseful or whatever else you need it to be).
Liz’s Tips for Writing Shorter:
* consider a reunion story. This eliminates much of the “getting to know you” necessary for intimacy (at least in most books :))
* write shorter scenes (no more than 5 pages in each point of view) and shorter chapters to keep pace quick
* be thrifty with secondary characters
* be economical with your words. No double adjectives, decrease the compound subjects and verbs.
* Keep GMC simplistic
* no secondary story lines
Okay, I profess that I’m not a pro on writing short (or even long for that matter), so I want to open the floor to those writers who have considerable experience at writing shorter. I’m sure I missed some good tips. So let’s spend Monday talking about what makes a good short story/novella. And feel free to offer tips and make suggestions for writers who’ve done this well.