All About Vivi Andrews

Vivi Andrews was born and raised in Alaska, and still lives in the Last Frontier when she isn’t bouncing around the globe. After graduating from Northwestern University, Vivi tested out a variety of careers—from the movie industry to accounting—but kept coming back to her first two loves, writing and travel. She lived in nine cities—on two continents and one tropical island—while pursuing her dream of writing romance professionally.

In 2009, Vivi won the Golden Heart Award, presented by the Romance Writers of America®, and her debut novella, The Ghost Shrink, the Accidental Gigolo & the Poltergeist Accountant, hit the digital shelves. Within the next three years, she wrote and released a dozen paranormal romance novels & novellas, including the popular Serengeti Shifters series.

Vivi is currently hard at work on her next happily-ever-after. For more about her books or the life of a nomadic romance author, please visit her blog Ramblings from the Road viviandrews.blogspot.com, email vivi@viviandrews.com or stop by her website www.viviandrews.com.

Connect with Vivi

     

Vivi's Fun Facts
Ruby Nickname:
Arctic Ruby

Hometown:
Anchorage, Alaska

Age:
30

GH Year(s)
2009

Completed Manuscript(s)
Twenty-ish.

Genre(s):
Contemporary & Paranormal Romance

Started Writing:
1993

Day Job:
Writing full time (since 4/2009)

For Fun:
READING. Travel, swimming, watching movies, dancing, hiking, skiing, and a recent addiction to Wii Sports.

Blog Posts from Vivi

The Internist: Letting Your Reader Inside Your Protagonist

A few years ago, my dad wrote a non-fiction manuscript (all about science and politics and the manipulation of data and public perception) and asked me if I would take a look at it.  It was a fascinating read and my reaction was largely positive, but his reaction to my feedback was more or less “Well, crap, you called me out on all the places I was cutting corners. I have work to do.”

There are a lot of different ways we can be lazy writers.  We can fail to get our butts into the chair to write the book in the first place.  We can try to take short-cuts and cut-corners, looking for the writing equivalent of the easy way out when it comes to the hard parts of our manuscript.  Or we can fail to put our butts back into the chair and do the work necessary to fix our POS first draft when we’ve realized our short cuts aren’t going to fly.

Don’t be a lazy writer.  As has become a Ruby mantra: WRITE FEROCIOUSLY.  And revise ferociously too.  Decimate those short cuts.

Obviously fiction short cuts and non-fiction short cuts look different.  Today I want to talk about what I find to be some of the most common cut corners when it comes to romance manuscripts – glossing-over-the-good-stuff writing.  Shallow POV & generic characterization. That skating-over-the-surface style – which can be expedient in a first draft when you have plots to figure out – can be downright lazy in a final work.  (And I’m not just pointing fingers here, I’m just as guilty of lazy writing as the next scribbler.  But if we are aware of the areas we short-shrifted the reader, we are better able to add an extra level of shine to our finished works.)

Here are some tips to take your reader deeper:  (as always, these are just my opinions, your mileage may vary)

  1. Bring your reader INTO your character.  We’ve all heard about Show Don’t Tell, but I think truly engrossing writing takes it a step beyond even showing.  Don’t tell.  Don’t show.  Be.  Use language that talks about how it feels to be inside the emotion. To be the one who is happy or sad or lustful.  Not just the actions that demonstrate our emotion, but the sensations that come over us when we are overcome.

    For example, telling would be: She was happy.  Showing: She beamed at him, delighted.  Being: Her cheeks ached from grinning but she couldn’t stop. Those sensations can make your reader remember that feeling, empathize, and connect with your character from point of shared emotion, not just be happy for their happiness from the outside.  I think those characters we feel with are the ones we can’t walk away from – the books we can’t put down.

  2. Have you ever read a book or manuscript where the characters didn’t seem real not because their reactions were wrong, but because they were too right?  Sometimes we can forget that our characters are human (or human-esque aliens/shifters/vampires) with human flaws.  Letting your characters be conflicted (sure they do the right thing, but damn if they don’t secretly wish they could escape that hard choice) can add nuance and reality to the characterization.  The Perfect Pollyanna heroine is lazy writing, IMHO.

    What we do and what we wish we could do don’t always match.  Let your reader in on that dissonance.  Especially if a reaction isn’t a particularly PC one.  We don’t always react to things internally the way we should.  A flicker of spite that the character squelches before doing the right thing.  A tide of sympathy for a villain. Or maybe even relief when something bad happens because the other shoe has finally dropped – all of those can make the reader connect with your character because they are INTERNALLY honest at a time when we are externally PC.  We, as the reader, get to see the real, human side.  Not the tough face our character shows the world.  We connect with that weakness – and then admire the strength to overcome it even more.

  3. One way we can be lazy as writers is by going straight for crying, shouting or laughing.  We want our reader to see the extreme emotion our characters are dealing with, but resistance – trying not to smile, trying not to cry – can be much more powerful.  I am much more likely to cry when a character is doing everything she can to stop herself from crying than I am to cry along when she’s bawling at the drop of a hat.  When she is fighting not to, it’s almost like I have to.  Like oneof us has to let that emotion out and if she resists it’s gonna be me.  It’s the same with laughter.

    Those are the extremes of emotion the character doesn’t want the rest of the world to see, the things that are personal, intimate and internal.  Those moments when the character is trying to hide, trying to suppress what they feel, trying to master their emotions, are when the reader gets to truly see our protagonist.  From the inside.

Whether we employ these techniques to bring a reader deeper or look for other ways to strengthen our writing, we can’t be lazy.  We can’t gloss over and take shortcuts.  Our readers will know.  So get out there, butts in chairs, and revise ferociously.

What are some cut corners and short cuts you find in manuscripts? How do you overcome them?

Make It Romantic

I have a confession to make. I’m addicted to The Bachelor. (And I blame Lincee Ray who sucked me in with her hilarious episode recaps.) Every Monday my DVR fills up with two hours of this jaw-droppingly bizarre social-experiment approach to falling in love. There’s always the villain, the good-girl everyone loves but you know [...]

Ruby Debut Release: Heiress Without a Cause by Sara Ramsey

Today I’m thrilled and privileged to host our very own Sara Ramsey as we discuss her inaugural release, the fun and fabulous regency romance Heiress Without a Cause. After winning the Golden Heart in 2009 and being named a finalist again in 2011 (with the first two books she wrote, but lets all pretend we [...]

Taglines and Brands: Defining Yourself

A reviewer or a commenter on a popular blog compares the new release from Amazing Best-seller X to one of your books. A lady waiting to pay for her tomatoes in the grocery store overhears two readers gushing about your awesomeness at the checkstand. You meet Big Editor Z at a conference and hand her [...]

The Ruby Prophecy, 2012 Edition

About a year ago, in a playful prognosticating frenzy, we had a blog post predicting the wild and wonderful things 2011 would hold.  Well, the year is behind us and while our more far out predictions (Mariners-Nationals World Series, anyone?) didn’t come to pass, we did actually hit pay-dirt with a few of our prophecies…(Check [...]

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